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Webster
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Dec 22 2015, 03:42 AM
Post #1
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Wasatch Storyteller & Resident Forum Curmudgeon
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New Republic: Here's What Literary Fascism Looks Like
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Sadly, the decline in free speech at American universities, and the proliferation of ludicrous “trigger warning” mandates for books and courses, are topics covered largely by the right-wing media, so often I must hold my nose as I examine their sources. But even a right-wing venue can get stuff right, as Legal Insurrection does on the latest bit of nonsense from American campuses: a request from students at Columbia University (a great school, by the way) to put trigger warnings on the work of Roman poet Ovid.
In an op-ed in the Columbia student newspaper The Spectator, four student members of Columbia’s Multicultural Affairs Advisory Board (MAAB) declare that “Our identities matter in Core classrooms.” A “core” curriculum, of course, is a slate of courses all students are required to take, usually comprising humanities courses designed to expose people to great thinking, writing, and a diversity of opinions that will inspire discussion. But, according to the MAAB students, one course had some inimical effects on a student:
During the week spent on Ovid’s “Metamorphoses,” the class was instructed to read the myths of Persephone and Daphne, both of which include vivid depictions of rape and sexual assault. As a survivor of sexual assault, the student described being triggered while reading such detailed accounts of rape throughout the work. However, the student said her professor focused on the beauty of the language and the splendor of the imagery when lecturing on the text. As a result, the student completely disengaged from the class discussion as a means of self-preservation. She did not feel safe in the class. When she approached her professor after class, the student said she was essentially dismissed, and her concerns were ignored.
That professor was clearly wrong to dismiss the student, and perhaps he or she might have mentioned beforehand that there is violence and sexual assault in Ovid, but that’s as far as I’d go. After all, what body of literature, including the Bible and the Muslim hadith, doesn’t mention violence and sexual assault? The Bible even sanctions rape. Should divinity schools put trigger warnings on the Old Testament? I am sorry about the student who couldn’t abide the mention of sexual assault, but she should be getting help for her triggering from a therapist, not from a professor. Without such help, she’ll go through life triggered by every magazine and newspaper she sees.
The pathway of such trigger warnings—not just for sexual assault but for violence, bigotry, and racism—will eventually lead to every work of literature being labeled as potentially offensive. There goes the Bible, there goes Dante, there goes Huck Finn (loaded with racism), there goes all the old literature written before we realized that minorities, women, and gays weren’t second-class people. And as for violence and hatred, well, they’re everywhere, for they’re just as much parts of literature as parts of life. Crime and Punishment? Trigger warning: brutal violence against an old woman. The Great Gatsby? Trigger warning: violence against women (remember when Tom Buchanan broke Mrs. Wilson’s nose?). The Inferno? Trigger warning: graphic violence, sodomy, and torture. Dubliners? Trigger warning: pedophilia.
This is the road that Literature Fascism leads to (from the letter): Ovid’s “Metamorphoses” is a fixture of Lit Hum, but like so many texts in the Western canon, it contains triggering and offensive material that marginalizes student identities in the classroom. These texts, wrought with histories and narratives of exclusion and oppression, can be difficult to read and discuss as a survivor, a person of color, or a student from a low-income background.
-Read more: https://newrepublic.com/article/121790/life-triggering-best-literature-should-be-too ...thoughts?
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