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Famous Sardinians; This is a list of famous people born in the island of Sardinia
Topic Started: Jan 29 2013, 07:01 PM (15,172 Views)
Raingirl
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Sebastian Piras

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Sebastian Piras is a photographer and filmmaker from Sardinia.

Sebastian has lived in Italy, England, France and Germany before settling in New York City in 1985.

His main photographic subject has been portraiture. His exhibition "Artists Exposed" contains a collection of captivating portraits of known artists, such as Andy Warhol and Roy Lichtenstein, and lesser known ones. David Ross, former director of the Whitney Museum of American Art, who wrote the preface for the book Artists Exposed, heralded Piras’ photos as: "probing and extraordinarily beautiful portraits of artists . . . that ultimately produces winners at both ends of the camera."

His photographs have been published, exhibited and collected worldwide. He has worked in film as a cameraman/steadicam operator and director. He has directed and filmed documentaries, including “Taylor Mead Unleashed”, which also featured Allen Ginsberg and Quentin Crisp.
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Emilio Lussu


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Emilio Lussu (December 4, 1890 - March 5, 1975) was a soldier, politician and a writer.


Biography

The soldier

Lussu was born in Armungia, province of Cagliari (Sardinia) and graduated with a degree in law in 1914. Lussu married Joyce Salvatori, a notable poet, and member of the noble family of the Marche.

Prior to the entry of Italy into World War I, Lussu joined the army and was involved in several skirmishes. As a complementary officer of the Sassari Infantry Brigade in 1916 he was stationed on the Asiago Plateau. The brigade had arrived on the plateau in May 1916 to help in the Italian effort to stop the Austrian Spring offensive. In the month of June 1916 the brigade conquered Monte Fior, Monte Castelgomberto, Monte Spil, Monte Miela and Monte Zebio. After the war Lussu wrote the book A Year on the High Plateau (Un anno sull'altipiano) about his experiences of trench warfare on the Plateau.




Politics and exile

After the war Lussu, together with Camillo Bellieni, founded the Partito Sardo d'Azione (The Sardinian Action Party), that blended social-democratic ideas and Sardinian autonomy. The party took a formal position in 1921, opposing the increasing power of the Fascist movement. Lussu was elected to the Italian parliament in 1921 and, in 1924 was among the Aventine secessionists who withdrew from the Italian Parliament after the murder of Giacomo Matteotti.

Lussu's anti-Fascist position was, at the time, one of the most radical in Italy. Lussu was physically attacked and injured by unknown aggressors several times. In 1926, during one of these attacks (notably, the same day that Benito Mussolini suffered an attack in Bologna), Lussu shot one of the squadristi, in self-defense. He was arrested and tried; and was acquitted. However, he was re-tried by an administrative Fascist commission and sentenced to 5 years of confinement on the island of Lipari, near Sicily.

In 1929 Lussu escaped from his confinement and reached Paris. There, together with Gaetano Salvemini and Carlo Rosselli he formed Giustizia e Libertà (Justice and Freedom), an anti-Fascist movement that proposed revolutionary methods to upset the Italian Fascist Regime. While in exile came to be known as "Mister Mills".

In 1938 Lussu's novel Un anno sull'altipiano ("A Year on the Plateau"), was published in Paris. This thinly fictional account tells of the lives of soldiers during World War I and the trench warfare they encountered. Un anno sull'altipiano underlines, with chill rationalism, how the irrationalities of warfare affected the common man. Gifted with a keen sense of observation and sharp logic, Lussu demonstrates how distant the real life of soldiers is from everyday activities. In a notable passage, he describes the silent terror in the moments preceding an attack, as he is forced to abandon the "safe" protective trench for an external unknown, risky, undefined world: “All the machine-guns are waiting for us”.



Return to Italy

Lussu took part in the civil war in Spain. Between 1941 and 1942 he was the protagonist of the most important "episode" of the collaboration between British Special Operations Executive and Italian antifascism in exile. He tried to get the clearance for an antifascist uprising in Sardinia, which the SOE supported at some stage but did not receive approval from the Foreign Office. He returned to Italy after the armistice of 1943 when joined the Resistenza and became the secretary of Partito d'Azione for southern Italy. He became the leader of the left wing of Partito d'Azione and later joined forces with the Italian Socialist Party. After World War II he served as a Minister of Aid in the government of Ferruccio Parri and later as a minor minister in Alcide De Gasperi's government.

In 1964 he separated from the Socialist Party creating the Italian Socialist Party of Proletarian Unity (PSIUP). Ideological differences with the political line of Partito d'Azione deepened and Lussu left Sardinia.

Emilio Lussu died in Rome in 1975.




Works

Many political meanings have been drawn from Lussu’s works, but his works are perhaps more important at a personal level. Morally and philosophically, Lussu's books reflect his need to repent, having been previously an interventista (favourable to entering the war) and a revolutionary (in Giustizia e Libertà); his works soberly describe what war, in its cruellest moments, was like for him.

The alteration of Lussu's opinion of war is quite apparent in the range of his works: first an interventista, then the author of a manual for revolution, soon afterwards the author of a pacifist book, then again a revolutionary and a volunteer in the Spanish civil war. Anyway, A Year on the High Plateau combines well the repulse of the war with the bravery of the fighter. Lussu's consistency has been questioned and politics often invades evaluations of his works.

Bibliography


  • La catena (1929)
  • Marcia su Roma e dintorni (The March on Rome and Thereabouts, 1932)
  • Teoria dell'insurrezione ("Theory of Insurrection", 1936)
  • Per l'Italia dall'esilio (Road to exile: the story of a Sardinian patriot, 1938) (Review in Time Magazine)
  • Un anno sull'altipiano ("A Year on the High Plateau", Sassari Infantry Brigade, 1938, ISBN 978-1-85375-360-2)
  • Diplomazia clandestina" (1955)
  • La clericalizzazione dello Stato e l’arcivescovo di Cagliari (1958)
  • Il cinghiale del diavolo e altri scritti sulla Sardegna (1976)
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Raingirl
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Antonello Grimaldi


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Antonio Luigi Grimaldi, known as Antonello Grimaldi (born 14 August 1955) is an actor, film and television director, and screenwriter.

Biography

Grimaldi was born on 14 August 1955 in Sassari, on the island of Sardinia in Italy. After receiving his Laurea in law in 1981, he moved to Rome and attended the Gaumont School of Cinema, founded by composer Renzo Rossellini. He later taught music history at the Accademia di Belle Arti (English: Academy of Fine Arts) in Sassari and film direction at the Scuola Golden in Turin.

Career in film

Grimaldi's directorial debut came in 1985 with Juke box. In 1987, he was assistant director to Giuseppe Piccioni for the feature film Il Grande Blek, starring Sergio Rubini and Francesca Neri.

In 1997, Grimaldi appeared in Nirvana, directed by Gabriele Salvatores. He then starred in two films directed by Gabriele Muccino: Ecco fatto (1998) and Come te nessuno mai (1999), where he played the role of the head of police. Also in 1999, he appeared in Guardami, a biopic of a porn star loosely based on the life of adult actress Moana Pozzi, starring Elisabetta Cavallotti, and directed by Davide Ferrario.

In 2000, Grimaldi directed Un delitto impossibile (English: An Impossible Crime), starring Lino Capolicchio, Carlo Cecchi, Ivano Marescotti, Ángela Molina, and Silvio Muccino. Starting in 2001, he transitioned from film to television, directing the teleplay Gli insoliti ignoti (2003), the television series Le stagioni del cuore (2004), and the television miniseries La moglie cinese (2006), as well as 33 episodes of the police drama Distretto di Polizia from 2001 to 2007.

Grimaldi returned to film in 2006, with his appearance in Il caimano, directed by Nanni Moretti. In 2008, he directed Moretti, Valeria Golino, and Alessandro Gassman in Caos calmo, and also guest starred on the sitcom Boris.

In 2009, Grimaldi directed the Canale 5 television film Due mamme di troppo featuring Angela Finocchiaro and Barbara Matera.


Nominations and Awards


  • Nominated Golden Berlin Bear - 2008 for "Quiet Chaos (2008)."
  • David - 2008 for "Best Director (Migliore Regista) Quiet Chaos (2008)."
  • Silver Ribbon - 2008 for "Best Director (Regista del Miglior Film) Quiet Chaos (2008)."



Incomplete Filmography


  • Quiet Chaos - 2008
  • Distretto di polizia - 2001-2007
  • La moglie cinese - 2006
  • Le stagioni del cuore - 2004
  • Gli insoliti ignoti - 2003
  • An Impossible Crime - 2001
  • Asini - 1999
  • Il cielo è sempre più blu - 1996
  • Nulla ci può fermare - 1989
  • Boris - 2008
  • The Caiman - 2006
  • Guardami - 1999
  • But Forever in My Mind - 1999
  • Ecco fatto - 1998
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Andrea Parodi

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Andrea Parodi (1955-2006), was one of the best known singers in Sardinia.

Andrea Parodi was born in Porto Torres (North Sardinia) in 1955, from a Sardinian mother and a ligurian father. He learned how to play the bugle at 11, playing with the city municipal band. He joined Sole Nero in later Coro degli Angeli.

Very popular in Italy because of his work with Tazenda, the first Sardinian pop band to hit the charts in Italy; in the last ten years he followed a solo career, more world music-oriented, which led him to work, among others, with Noa, Al di Meola, Fabrizio de André and many others.


He discovered jazz in 1980 and began performing the professionallly in 1982. Parodi graduated in 1984 at the Conservatory of Cagliari. With Gino Marielli and Gigi Camedda he founded Tazenda in 1988.

He died in 2006 due to a cancer.


Works

He recorded the following albums with Tazenda:

  • 1988 Tazenda
  • 1991 Murales
  • 1992 Limba
  • 1993 Il popolo rock (Live album)
  • 1995 Fortza paris
  • 1997 Il sole di Tazenda (Compilation)
  • 2005 Reunion (Live)



Solo recordings:

  • 2002 Abacada
  • 2004 Andrea Parodi
  • 2005 Midsummer night in Sardinia (with Al di Meola)
  • 2006 Intimi Raccolti
Edited by Algueres, May 9 2017, 04:24 PM.
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Salvatore Niffoi



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Salvatore Niffoi born 1950, in Orani, is a writer.

Niffoi is a representative of the so-called Sardinian Literary Nouvelle Vague, or Sardinian Literary Spring, i. e. the Sardinian narrative of today, which was initiated by Giulio Angioni, Salvatore Mannuzzu and Sergio Atzeni, following the work of individual prominent figures such as Grazia Deledda, Emilio Lussu, Giuseppe Dessì, Gavino Ledda, Salvatore Satta. His prose is mostly a mixture of Italian and Sardinian.

Niffoi lives in Orani, a small village of Barbagia, in the province of Nuoro, where he was a middle school teacher until 2006. He started his career as a novelist in 1997, with his first work, Collodoro. In 2006, with the novel La vedova scalza he won the Campiello Prize.





Works


  • Collodoro, Solinas, 1997
  • Il viaggio degli inganni, Il Maestrale, 1999
  • Il postino di Piracherfa, Il Maestrale, 2000
  • Cristolu, Il Maestrale, 2001
  • La sesta ora, Il Maestrale, 2003
  • La leggenda di Redenta Tiria, Adelphi, 2005
  • La vedova scalza, Adelphi, 2006
  • Ritorno a Baraule, Adelphi, 2007
  • L'ultimo inverno, Il Maestrale, 2007
  • Collodoro, Adelphi, 2008
  • Il pane di Abele, Adelphi, 2009
  • Il bastone dei miracoli, Adelphi, 2010
  • Paraìnas - Detti e parole di Barbagia, Adelphi, 2009
  • Il lago dei sogni, Adelphi, 2011
  • I malfatati: romanzi 1999-2007, Il Maestrale, 2011
  • Pantumas, Feltrinelli, 2012
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Francesco Cossiga


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Francesco Cossiga (Italian pronunciation: [franˈtʃesko kosˈsiɡa]; 26 July 1928 – 17 August 2010) was an Italian politician of the Christian Democracy party. He was the 43rd Prime Minister of Italy from 1979 to 1980 and the eighth President of Italy from 1985 to 1992. He was also a professor of constitutional law at the University of Sassari.

Cossiga was born in Sassari in the north of Sardinia. He started his political career during World War II. His name is now usually pronounced Italian pronunciation: [kosˈsiːɡa], but it was originally pronounced Italian pronunciation: [ˈkɔssiɡa], with the stress on the first syllable, meaning "Corsica". He was the cousin of Enrico Berlinguer.



Minister for the Christian-Democracy

He was a minister several times for the Democrazia Cristiana party (DC), notably during his stay at Viminale (Ministry for internal affairs) where he re-structured the Italian police, civil protection and secret services.

He was in charge during the kidnapping and murder of Aldo Moro by Red Brigades, and he resigned when Moro was found dead in 1978. According to Italian journalist Enrico Deaglio, Cossiga to justify his lack of action "accused the leaders of CGIL and of the Italian Communist Party to know the location where Moro was detained". Cossiga was also minister of internal affairs when Fascist terrorists bombed Bologna station in 1980. Francesco Cossiga first assumed the explosion to have been caused by an accident (the explosion of an old boiler located in the basement of the station). Later, in a special session to the Senate, Cossiga supported the theory that neofascists were behind the attack, "unlike leftist terrorism, which strikes at the heart of the state through its representatives, black terrorism prefers the massacre because it promotes panic and impulsive reactions."

Cossiga was elected President of the Italian Senate 12 July 1983, a position he held until 24 June 1985, when he became the President of Italy.



Election as President of Italy

Following his resignation as president of the Senate in 1985, Cossiga was elected President of Italy (Head of State). This was the first time an Italian presidential candidate had won on the first ballot (where a two thirds majority is necessary).

It was not until his last two years as President that Cossiga began to express some unusual opinions regarding the Italian political system. He opined that the Italian parties, especially the DC (his own party) and Italian Communist Party, had to take into account the deep changes brought about by the fall of the Berlin Wall and the end of the Cold War.

These statements, soon dubbed "esternazioni", or "mattock blows" (picconate), were considered by many to be inappropriate for a President and, often, beyond his constitutional powers; also, his mental health was doubted and Cossiga had to declare "I am the fake madman who speaks the truth." Cossiga suffered by Bipolar Disorder and depression in the last years of his life.

Tension developed between Cossiga and the President of the Council of Ministers Giulio Andreotti. This tension emerged when Andreotti revealed the existence of Gladio, a stay-behind organization with the official aim of countering a possible Soviet invasion through sabotage and guerrilla warfare behind enemy lines. Cossiga announced his involvement in the establishment of the organization. The Democratic Party of the Left (successor to the Communist Party) started the procedure of impeachment (Presidents of Italy can be impeached only for high treason against the State or for an attempt to overthrow the Constitution). Although he threatened to prevent the impeachment procedure by dissolving Parliament, the impeachment request was ultimately dismissed.


Cossiga resigned two months before the end of his term, on 25 April 1992.


Life senator

According to the Italian Constitution, after his resignation from the office of President, Cossiga became lifetime senator, joining his predecessors in the upper house of parliament, with whom he also shared the title of President Emeritus of the Italian Republic.

In February 1998, Cossiga created the Unione Democratica per la Repubblica (a political party), declaring it to be politically central. The UDR was a crucial component of the majority that supported the D'Alema government in October 1998, after the fall of the Prodi government which lost a vote of confidence.

Cossiga declared that his support for D'Alema was intended to end the conventional exclusion of the former Communist Party (PCI) leaders from the premiership in Italy.

In 1999 UDR was dissolved and Cossiga returned to his activities as a senator, with competences in the Military Affairs' Commission.

In May 2006 he brought in a bill that would allow the region of South Tyrol to hold a referendum, where the local electorate could decide whether to remain within the Republic of Italy, take independence, or become part of Austria again.


On 27 November 2006, he resigned from his position as a lifetime senator. His resignation was, however, rejected on 31 January 2007 by a vote of the Senate.

Cossiga died on 17 August 2010 because of respiratory problems.



Controversial statements

In 2007, in a statement published by the Italian newspaper Corriere della Sera, Cossiga commented on the 11 September attacks and on a video attributed to Osama Bin Laden 2001. He wrote that "all of the democratic circles of America and of Europe, especially those of the Italian centre-left, now know well that the disastrous attack was planned and realized by the American CIA and Mossad with the help of the Zionist world to place the blame on Arabic countries and to persuade the Western powers to intervene in Iraq and Afghanistan". However, the previous year Cossiga had stated that he rejects theoretical conspiracies and that it "seems unlikely that the rather impossible September 11 was the result of an American plot."

In the same statement, Cossiga claimed that a video tape circulated by Osama bin Laden's al Qaeda and containing threats against Silvio Berlusconi was "produced in the studios of Mediaset in Milan" and forwarded to the "Islamist Al-Jazeera television network." The purpose of that video tape (which was actually an audio tape) was to raise "a wave of solidarity to Berlusconi" who was, at the time, facing political difficulties.

In 2008, Francesco Cossiga told about Mario Draghi: "He is a craven moneyman".

Francesco Cossiga attributed the cause of the crash of the Aerolinee Itavia Flight 870, killing all on board, while en route from Bologna to Palermo, in 1980, to a missile fired from a French Navy aircraft. On 23 January 2013 Italy’s top criminal court ruled that there was "abundantly" clear evidence that the flight was brought down by a missile.



Honours and awards

As President of the Republic, Cossiga was Head (and also Knight Grand Cross with Grand Cordon) of the Order of Merit of the Italian Republic (from 3 July 1985 to 28 April 1992), Military Order of Italy, Order of the Star of Italian Solidarity, Order of Merit for Labour and Order of Vittorio Veneto and Grand Cross of Merit of the Italian Red Cross. He has also been bestowed honours and awards by other countries.
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Sergio Atzeni


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Sergio Atzeni (Capoterra, 14 October 1952 – Carloforte, 6 September 1995) was a sardinian writer.

Born in Capoterra, southern Sardinia, he moved to Cagliari where, as a journalist, he worked for some of the most important Sardinian newspapers. He also became a member of the Italian Communist Party, but later left the party, being disullusioned with politics. In 1986, he left Sardinia and travelled across Europe, but in the last part of his life he settled in Turin where he wrote his most important novels, including Il figlio di Bakunìn (Bakunin's Son), Passavamo sulla terra leggeri and Il quinto passo è l'addio. In 1995, he died in Carloforte while swimming in the sea during a holiday back in Sardinia.

All of Atzeni's works are set in Sardinia and were written in Italian. He experimented different techniques and styles across his novels. Most notably, he used a very original language that fused elegant literary Italian and the "patter" used by the working-class in Cagliari and Sardinia, where many words and sayings are borrowed from the Sardinian language. In this way Atzeni reproduces the immediacy of the spoken language in his novels. In some of his novels (e.g. Il quinto passo è l'addio and Bellas mariposas) he also used techniques akin to the "magic realism" style of many Southern American authors, where fantastic elements appear in the realistic setting.

Sergio Atzeni is considered, with Giulio Angioni and Salvatore Mannuzzu, one of the initiators of the so-called Sardinian Literary Spring, the Sardinian narrative of today in the European arena, which followed the work of individual prominent figures such as Grazia Deledda, Emilio Lussu, Giuseppe Dessì, Gavino Ledda, Salvatore Satta. Some of his novels have been translated in French, but only one, Bakunin's Son, has been translated in English.



Bibliography


  • Aray Dimoniu (1984)
    A short tale inspired by Sardinian traditional tales of demons and magic.


  • L'Apologo del giudice bandito (1986) (Apologue of the Bandit Judge)
    Set in the year 1492 in Cagliari. Starting from an imaginary trial of the Spanish rulers of Sardinia against the locusts that were spreading famine in Sardinia, several characters are introduced, including the Spanish viceroy, Spanish soldiers and aristocrats, humble Sardinian peasants and drunkards, and finally the Sardinian chief (a "Judge" according to the Sardinian medieval tradition) that gives the name to the novel.

  • Il figlio di Bakunin (1991) (Bakunin's Son)
    A son tries to find out more about his father: every person interviewed by the son speaks in first person and tells a story about the son's father. The son discovers his father was from a borgeouise family, then became a miner in the 30s, and a political activist and member of parliament after the war. In this way, the book spans the dramatic changes between the beginning of the 20th century and the 1950s in Sardinia, as experienced and told from the different characters in the book.

  • Il quinto passo è l'addio (1995) (The Fifth Step is a Farewell).
    This novel is probably the most autobiographical of Atzeni's novels. It tells the story of a man that while on a ferryboat, leaving Sardinia for good, remembers and revokes his past experiences in Cagliari, including an unhappy love story and several frustrations and humiliations caused by the corruption and small-mindedness of politicians and employers.


  • Passavamo sulla terra leggeri (1996) (Lightly We Passed on Earth )
    This novel was published after Atzeni's death, but Atzeni had submitted it to the publisher before his death. The narrator of the book is asked to preserve the memory of Sardinian history by an old acquaintance and so is told the history of Sardinia, from the mythical origins to the defeat of the independent kingdom of Arborea and the final conquest of Sardinia by the Spaniards in the 15th Century.


  • Bellas Mariposas (1996) (Beautiful Butterflies)
    This was also published after Atzeni's death, but it was still a work in progress. It is a short story told in a first person narrative by a young girl from a working-class neighbourhood of Cagliari. The language used borrows many phrases and words from the Sardinian dialect spoken in Cagliari, and even the title of the story itself is in Sardinian.

  • Due colori esistono al mondo, il verde è il secondo (1997)
    A collection of poetry


  • Raccontar fole (1999)
    An essay on the misleading representation of Sardinia given by historians and travellers in the 18th and 19th century.

  • Racconti con colonna sonora (2002 )
    A collection of short stories, mainly crime-fiction stories.

  • Gli anni della grande peste (2003)
    A collection of newspaper articles and short stories published in different magazines.

  • I sogni della città bianca (2005)
    A collection of short stories written in the early 80s

  • Scritti giornalistici (2005)
    A collection of newspaper articles.
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Maria Carta

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Maria Carta (June 24, 1934 – September 22, 1994) was a Sardinian folk music singer-songwriter. She also performed as an actress in films and theater and, in 1975, she wrote a book of poetry, Ritual Song.

She was born in Siligo, Sassari .

Throughout her 25-year career, she covered the richly diverse genres of traditional music of her native land (ninne nanne—children's lullabies, gosos, Gregorian chants, and more), often updating them with a modern and personal touch. She succeeded in bringing Sardinian folk music into wider popular awareness, in demonstrations at a national level in Italy (like the Canzonissima in 1974) as well as internationally (especially in France and the United States).

She caught the attention of such directors as Francis Ford Coppola and Franco Zeffirelli, who gave her the first two of her widely seen film roles, including that of the mother of Vito Corleone in The Godfather Part II in 1974. Carta lived in Rome for many years and she served as Communal Councilwoman from 1976 to 1981 on the side of the Italian Communist Party.

In 1985, she was awarded, as songwriter, the Targa Tenco for dialectal/regional music. In the last years of her life, Maria Carta gave her time to the University of Bologna where she conducted a series of classes and advised student theses on which she had relevant personal, human experience and scholarly background.

In 1991, the President of the Republic Francesco Cossiga named her a “Commendatore della Repubblica” ("Knight of the Republic").

Maria Carta gave her last concert in Toulouse, France, on June 30, 1994. Ill with cancer she died at her home in Rome on September 22, 1994, aged 60.


Discography


  • 1971 Sardegna canta
  • 1971 Ninna nanna / Muttos de amore
  • 1971 Adiu a mama / Antoneddu Antoneddu
  • 1971 Trallallera corsicana / La ragazza moderna
  • 1971 Paradiso in Re
  • 1973 Nuovo maggio / Funerale di un lavoratore
  • 1974 Dilliriende
  • 1974 Amore disisperadu / Ave Maria
  • 1974 Dies Irae
  • 1975 Diglielo al tuo Dio / Nuovo maggio
  • 1975 Maria Carta
  • 1976 Vi canto una storia assai vera
  • 1976 La voce e i canti di Maria Carta vol.1
  • 1976 La voce e i canti di Maria Carta vol. 2
  • 1978 No potho reposare / Ballada ogliastrina / Muttettu
  • 1978 Umbras
  • 1980 Haidiridiridiridiridinni
  • 1984 Maria Carta concerto dal vivo
  • 1981 Sonos ‘e memoria
  • 1984 Sonos’ e memoria
  • 1992 Chelu e mare
  • 1993 Le memorie della musica
  • 1993 Muttos ‘e amore
  • 1993 Trallallera
  • 2002 Sardegna canta




Filmography

  • 1977 Jesus of Nazareth (miniseries) (by Franco Zeffirelli) as Martha
  • 1974 The Godfather Part II (by Francis Ford Coppola) as Vito Corleone's mom
  • 1976 Cecilia - Storia di una comune anarchica (by Comolli) as Olimpia
  • 1977 Cadaveri eccellenti (by Francesco Rosi) as Signora Cres
  • 1980 Un reietto delle isole (based on by Joseph Conrad's novel An Outcast of the Islands) (by Giorgio Moser)
  • 1985 Derborence
  • 1986 Il camorrista (by Giuseppe Tornatore) as The mother
  • 1988 Disamistade (by Gianfranco Cabiddu) as "Madre Di Sebastiano"
  • 1992 Il commissario Corso (telefilm)
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Costantino Nivola

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Costantino Nivola (Orani, Sardinia, Italy; July 5, 1911 - Long Island, New York, USA; May 6, 1988) was a sculptor. He is the grandfather of actor Alessandro Nivola.


Birth and upbringing

Nivola was born and grew up in Orani, a small village in Sardinia. Nivola's family was very poor. As a young adolescent, he worked as an apprentice stonemason in the local building industry.


Artistic life

In Sassari, with the painter Mario Delitala, also from Orani, Nivola had his artistic start, and soon the two worked together for the decoration of some spaces in the local university.He then moved to the Italian mainland, and in 1931 entered the ISIA, the state institute for Artistic Industry in Monza, near Milan. His first official exhibitions are recorded in this period; among many works, notably he produced some xylography, a form of art that would have remained a characteristic expression of Sardinia.

Nivola started then frequenting France (and Paris in particular, where he met Emilio Lussu during his clandestinity), establishing contacts with artists from other countries. Supposedly here he first met his wife, Ruth Guggenheim.

In 1936 he entered the graphics' division of Olivetti, then one of the most important industrial firms in the nation, but in 1939, after Fascism issued racial laws, to protect his wife, he left Italy for France first and the U.S.A. later (Long Island).

Here, in 1940 he became the artistic director for "Interiors" and "Progressive Architecture". In time he became a close friend of Le Corbusier and not without his influences and reflections, Nivola defined his quite surprising technique called "sand-casting". Nivola then provided works for Olivetti showroom in New York (a famous sand-cast relief wall), Mutual Hartford Insurance Company (Connecticut), Harvard University, McCormick Plaza Exposition Center (Chicago) and Yale University.

In 1954 Nivola became a professor and the director of the "Design Workshop" at the Harvard University, while the American Institute of Graphic Arts assigned him its Certificate of Excellence. His academical work increased with other teachings, like in Royal Academy of Fine Arts in Den Haag, Netherlands.

In 1972 the American Academy of Arts and Letters admitted Nivola as its first non-American member. In 1978 the University of California, Berkeley gave him a chair at its Art Department.

He died of a heart attack in Southampton Hospital on Long Island, New York, in 1988.
Nivola's sand casting has been briefly described as a bas-relief sculpture in concrete. Landscape architect Michael Gotkin recently said that Nivola had taken the traditional mediterranean essence of the ancient graffiti and translated it into modern terms. Others suggested that his work expresses a seamless integration of sculpture and architecture.

He produced murals and reliefs for (or together with) a variety of architects including Eero Saarinen, Percival Goodman, Antonin Raymond, Bernard Rudofsky, Richard G. Stein, Carl Stein and others.
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Angioy
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Giovanni Francesco Fara



Giovanni Francesco Fara (born in Sassari February 4, 1543 - died in Bosa 1591) was a Sardinian historian, geographer and clergyman, who wrote in Latin.


Biography

Giovanni Francesco Fara, the son of a solicitor, was born into one of the most illustrious families in Sassari. His early studies were done in Sardinia. He studied law and philosophy at Collegio di Spagna. He also attended the lectures of the jurist Camillo Porzio. He collected information for his writings in Pisa, Florence, Bologna and Rome. He was appointed Archpriest of the Cathedral of Sassari on December 6, 1568. He was appointed Bishop of Bosa in 1591, and died there the same year. His large library was donated to the University of Cagliari.


Main Works


  • Tractatus de essentia infantis, proximi infantiae et proximi pubertatis (1567)
  • De rebus sardois (four books, the first published in 1580, the rest in 1835)
  • De corographia Sardiniae (unpublished until the nineteenth century)



Edited by Angioy, Jan 23 2014, 08:21 PM.
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