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| The Sight | |
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| Tweet Topic Started: Feb 16 2013, 11:56 PM (209 Views) | |
| Emilia Green | Feb 16 2013, 11:56 PM Post #1 |
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The Sight The sight, which is also known as wizards sight or the third eye, is being able to see the perception of the world from a supernatural point of view, and which cannot be seen to the human eye. When using the sight you can see all of the supernatural energy in your surroundings. An example of what people can see using the sight is, if your partner recently broke up with you, the sight will show your heart ripped in half, demostrating the emotional pain/negative energy that you are feeling. However, everyone sees different things when using the sight, due to the brain interpreting the energy signals differently. So what one person sees when using the sight will not be what another person sees. The sight tends to show things from a physical point of view, as demostrated from the example above. So any emotion that you or a loved one are feeling will be shown in a physical way. However, it might not just be seen, the sight can use all the senses e.g smell, touch, taste, and hearing to show you the surrounding supernatural energy. Not many people know about the sight, and those who do seldom use it. This is because that if used too much, it can cause the person to become mentally unstable. This is due to 2 reasons. 1. Everything supernatural that is witnessed by using the sight stays in your memory forever. 2. Seeing the world from a supernatural point of view constantly can get very overwhelming. There is so much supernatural energy that the human eye cannot see, to see everything supernatural constantly can easily cause a person to become insane. Using the sight can also allow a person to soulgaze. This is when a person looks into another persons eyes and can see their soul. Although using soulgaze doesnt tell you everything about the person, it gives you their main personality traits, e.g whether they are trustworthy or not. It also tells you about emotions they have felt strongly in the past, so whether they have been really emotionally hurt by something/someone etc. Again, soulgaze is different for everyone, 2 people can soulgaze the same person and have different outcomes. For people not wanting to use the sight due to the psychological damage it can cause, they can use wizard sense, which is similar to the sight except not as strong and not as defined. Examples of Soulgaze "Did you call them?" I asked. She stared steadily, her eyes so dull and empty that it made her elegant black outfit look like funerary wear. I couldn't tell if it would be more suitable for mourners—or for the deceased. Then her eyes narrowed and she nodded. "Ah. You want me to look you in the eyes. The term is overdramatic, but I believe it is referred to as a soulgaze." "Yeah," I said. "I hadn't realized it was a truth detector." "It isn't," I said. "But it will tell me what sort of person you are." "I know what sort of person I am," she replied. "I am a functional borderline psychopath. I am heartless, calculating, empty, and can muster very little in the way of empathy for my fellow human beings. But then, you can't take my word for it, can you?" I just looked at her for a moment. "No," I said then, very quietly. "I don't think I can." "I have no intention of proving anything to you. I will submit to no such invasion." "Even if it means more of your friends in the Ordo die?" There was the slightest hesitation before she answered. "I have been unable to protect them thus far. Despite all..." She trailed off and shook her head once. Confidence returned to her features and voice. "Anna will watch over them." I stared at her for a second, and she regarded me coolly, focused on a spot a bit over my eyebrows, avoiding direct eye contact. "Anna's important to you?" I asked. "As much as anyone can be, now," she replied. "She was kind to me when she had no cause to be. Nothing to gain from it. She is a worthy person." I watched her closely. I've done a lot of work as both a professional wizard and a professional investigator. Wizardry is awfully intriguing and useful, but it doesn't necessarily teach you very much about other people. It's better at teaching you about yourself. The investigating business, though, is all about people. It's all about talking to them, asking questions, and listening to them lie. Most of the things investigators get hired to handle involve a lot of people lying. I've seen liars in every shape and size and style. Big lies, little lies, white lies, stupid lies. The worst lies are almost always silence—or else truth, tainted with just enough deception to rot it to the core. Helen wasn't lying to me. She might have been dangerous, might have been willing to practice black magic to seek vengeance in the past, might have been cold and distant—but she had not, for one second, tried to conceal any of it, or denied anything that had happened. "Oh, God," I said quietly. "You don't know." She frowned at me for a moment—then her face became drawn and pale. "Oh." She closed her eyes and said, "Oh, Anna. You poor fool." She opened them again a moment later. She cleared her throat and asked, "When?" "A few hours ago. The hotel room. Suicide." "The others?" "Safe. Hidden and under guard." I took a deep breath. "I have to be sure, Helen. If you really do give a damn about them, you'll cooperate with me. You'll help me." She nodded once, her eyes distant. Then she said, "For them." And met my eyes. The phenomenon referred to as a soulgaze is a fairly mysterious thing. No one's ever been able to get a really good grasp on exactly how it works. The best descriptions of it have always been more poetical than anything else. The eyes are the windows of the soul. Lock eyes with a wizard and the essence of who and what you are is laid bare. It is perceived in different ways by every individual. Ramirez had once told me that he heard it as a kind of musical theme that accompanied the person he was gazing upon. Others looked on a soul in a series of frozen images. My interpretation of a soulgaze was, perhaps inevitably, one of the most random and confusing I'd ever heard about. I see the other person in symbol and metaphor, sometimes in panorama and surround sound, sometimes in misty translucence and haunting whispers. Whoever was gazed upon got a good look back. Whatever universal powers governed that kind of thing evidently decided that the soul's windows don't come in an optional issue of one-way mirrored glass. You saw them. They saw you, with the same kind of searing permanence. For me, meeting someone's eyes is always risky. Every human being on earth knows what I'm talking about. Try it. Walk up to someone, without speaking, and look them in the eyes. There's a certain amount of leeway for a second, or two, or three. And then there's a distinct sensation of sudden contact, of intimacy. That's when regular folks normally cough and look away. Wizards, though, get the full ride of a soulgaze. All things considered, I shouldn't have been surprised that when Helen met my eyes, it got uncomfortably intimate before a second had passed and . . . . . . and I stood in Chicago , in one of the parks onLake Michigan .Calumet , maybe? I couldn't see the skyline from where I was standing, so it was hard to be sure. What I could see was the Beckitt family. Husband, wife, daughter, a little girl maybe ten or eleven years old. She looked like her mother—a woman with smile lines at the corners of her eyes and a white-toothed smile who very little resembled the Helen Beckitt I knew. But all the same, it was her. They'd been on a family picnic. The sun was setting on a summer evening, golden sunset giving way to twilight as they walked back to the family car. Mother and father swung the little girl between them, each holding one hand. I didn't want to see what was about to happen. I didn't have a choice in the matter. A parking lot. The sounds of a car roaring up. Muffled curses, tight with fear, and then a car swerved up off the road and gunfire roared from its passenger window. Screams. Some people threw themselves down. Most, including the Beckitts, stared in shock. More loud, hammering sounds, not ten feet away. I looked over my shoulder to see a very, very young-looking Marcone. He wasn't wearing a business suit. He had on jeans and a black leather jacket. His hair was longish, a little mussed, and he also sported a stubble of beard that gave him the kind of rakish look that would attract attention from the girls who fantasized about indulging with a bad boy. His eyes were still green—but they were the green of a summer hunter's blind, bright and intelligent and redatory, but touched with more . . . something. Humor, maybe. More life. And he was skinnier. Not a lot skinnier or anything, but it surprised me how much younger it and the other minor changes made him look. Marcone crouched next to another young man, a now-dead thug I'd christened Spike years ago. Spike had his pistol out, and was hammering away at the moving car. The barrel of his 1911-model Colt tracked the vehicle—and its course drew its muzzle into line with the Beckitt family. Marcone snarled something and slapped the barrel of the gun away from the family. Spike's shot rang out wild and splashed into the lake. There was a last rattle of fire from the moving car, and it roared away. Marcone and Spike piled into their own car and fled the scene. Spike was driving. Marcone was staring back over his shoulder. They left the little girl's broken body, limp and spattered with scarlet, behind them. Helen saw it first, looking down to the hand that gripped her daughter's. She let out a cry as she turned to her child. In the wake of the gunshots, the silence was deafening. I didn't want to see what was coming. Again, I had no choice. The girl wasn't unconscious. There was a lot of blood. Her father screamed and knelt with Helen, trying to stop the bleeding. He tore off his shirt, pressing it to the child's midsection. He babbled something to Helen and ran for the nearest phone. His white shirt soaked through as Helen tried to hold it to the weakly struggling girl. This was the worst part. The child was in pain. She cried out with it. I expected her to sound horrible and inhuman, but she didn't. She sounded like every little kid who had ever suddenly found herself faced with her first experience of real, nontrivial pain. "Owie," she said, over and over, her voice rough. "Owie, owie, owie." "Baby," Helen said. The tears were blocking her vision. "I'm here. I'm here." "Mommy, Mommy, Mommy," the girl said. "Owie, owie, owie." The little girl said that. She said it over and over. She said it for maybe sixty seconds. Then she went silent. "No," Helen said. "No, no, no." She leaned down and felt her daughter's throat, then desperately pressed her ear to the girl's chest. "No, no, no." Their voices, I realized, sounded almost identical. They blazed with the same anguish, the same disbelief. I watched Helen shatter, rocking back and forth, trying through blinding tears to apply CPR to the silent little form. Everything else became an unimportant blur. Ghostly figures of her husband, cops, paramedics. Dim little echoes of sirens and voices, a church organ. I'd known that the Beckitts set out to tear Marcone down out of revenge for what the warring gangsters had done to their daughter— but knowing the story was one thing. Seeing the soul-searing agony the little girl's death had inflicted upon her helpless mother was something else. And suddenly, everything was bright and new again. Helen and her family were laughing again. In a few moments, they were walking again toward the parking lot, and I could hear the engine of the car whose gunmen would miss Marcone and kill the little girl as it approached. I tore my eyes away from it, fighting to end the soulgaze. I could not go through that again, could not remain locked in that horrible moment that had shaped what Helen had become. I came back to myself standing, turned half away from Helen, leaning heavily on my staff with my head bowed. There was a long moment of silence before Helen said, "I didn't call anyone in the Ordo, Dresden ." She hadn't. Now I was sure of it. If Helen hadn't led the Ordo on a merry chase around town, drawing them out into vulnerability for the Skavis hunting them, someone else had. I referred to the same base image I always had. Elaine in our first soulgaze, an image of a woman of power, grace, and oceans of cool nerve superimposed over the blushing image of a schoolgirl, naked for the first time with her first lover. I had known what she would grow into, even then, that she would transform the gawky limbs and awkward carriage and blushing cheeks into confidence and poise and beauty and wisdom. The wisdom, maybe, was still in process, as evidenced by her choice of first lovers, but even as an adult, I was hardly in a position to cast stones, as evidenced by my choice of pretty much everything. I hadn't seen a soulgaze from the outside before. It surprised me, how simple and brief it looked, when one wasn't being shaken to the core by it. Both of them stared, eyes widening, and then shuddered. When I look into someone's eyes, into their soul, their innermost being, they can see mine in return-the things I had done, the things I was willing to do, the things I was capable of doing. Most people who did that got really pale, at least. One woman had passed out entirely. I didn't know what they saw when they looked in there-it wasn't a place I poked around much, myself. John Marcone wasn't like the other people who had seen my soul. He didn't even blink an eye. He just looked and assessed, and after the moment had passed, he nodded at me as though he understood something. I got the uncomfortable impression that he had duped me. That he had found out more about me than I had about him. The first thing I felt was anger, anger at being manipulated, anger that he should presume to soulgaze upon me. Just a second later, I felt scared to death of this man. I had looked on his soul and it had been as solid and barren as a stainless-steel refrigerator. It was more than unsettling. He was strong, inside, savage and merciless without being cruel. He had a tiger's soul. Then Parker turned his head toward me, and I met his eyes. There was a swimming moment, and then I was past his eyes, to what lay behind them. Fury overwhelmed me, naked lust for meat, for the hunt. I needed to run, to kill. I was invincible, unstoppable. I could feel the power in my arms and hands, feel the raw energy of the wild coursing through me, sharpening my senses to animal keenness. I felt his emotions like they were my own. Fury beneath rigid control, the ocean beating at a tide wall. The fury was directed at me, Dresden, at the man who had invaded his territory, challenged his authority, and driven his people out of control, endangering them. I saw that he was the leader of the lycanthropes called the Streetwolves, men and women with the minds and souls of beasts, and that he was aging, was not as strong as he once had been. Others, like the woman earlier, were beginning to challenge his authority. Today's events might tear him from leadership, and he would never live through it. If Parker was to live, I had to die. He had to kill me, pure and simple, and he had to do it alone to prove his strength to the pack. That was the only thing that kept him from coming at my throat that very second. Worse, he didn't know a damned thing about the last month's killings. And then the moment was past, the soulgaze over. Parker's face was stunned. He had seen me in much the same way I had seen him. I don't know what he saw when he looked upon my soul. I didn't want to know what was down there "What do you know," I muttered. "It worked." I stepped forward and unleashed another blast at the creature, hoping to either melt it to bits or drive it away. The bear-thing snarled and turned a hateful, murderous gaze at me with its four eyes. The soulgaze began almost instantly. When a wizard looks into someone's eyes, he sees more than just what color they are. Eyes are windows to the soul. When I make eye contact for too long, or too intently, I get to peek in through the windows. You can't hide what you are from a wizard's soulgaze. And he can't hide from you. You both see each other for what you are, within, and it's with a clarity so intense that it burns itself into your head. Looking on someone's soul is something you never forget. No matter how badly you might want to. I felt a whirling, gyrating sensation and fell forward, into the bear-thing's eyes. The glowing sigil on its forehead became a blaze of silver light the size of a stadium Scoreboard set against a roundish cliffside of dark green and black marble. I expected to see something hideous, but I guess you can't judge a monster by the slime on its scales. What I saw instead was a man of lean middle years dressed in rags. His hair was long and straight, wispy grey that fell down to his chest. He stood in a posture of agony, his wiry body stretched out in an arch, with his hands held up and apart, his legs stretched out. I followed the lines of his arms back and up and saw why he stood that way. He'd been crucified. The man's back rested against the cliff, the great glowing sigil stretching out above him. His arms were pulled back at an agonizing angle, and were sunk to the elbow in the green-black marble of the cliff. His knees were bent, his feet sunk into the stone as well. He hung there, the pressure of all his weight on his shoulders and legs. It must have been agonizing. The crucified man laughed at me, his eyes glowing a shade of sickly green, and screamed, "As if it will help you!Nothing!You're nothing!" Pain laced his voice, making it shrill. Agony contorted the lines of his body, veins standing out sharply against straining muscle. "Stars and stones," I whispered. Creatures like this bear-thing did not have souls to gaze upon. That meant that regardless of appearances to the contrary, this thing was a mortal. It-no, he-was a human being. "What the hell is this?" The man screamed again, this time all rage and anguish, void of words. I lifted a hand and stepped forward, my first instinct to help him. Before I got close, the ground began to shake. The cliff face rumbled and slits of seething orange light appeared, and then widened, until I faced the second set of eyes, eyes the size of subway tunnels, opening on the great marble cliff. I stumbled several steps back, and that cliff face proved to be exactly that-a face, cold and beautiful and harsh around that fiery gaze. The quaking in the earth increased, and a voice louder than a Metallica concert spoke, the raw sense of the words, the vicious anger and hate behind them hitting me far more heavily than mere volume. GET OUT. The sheer force of presence behind that voice seized me and threw me violently back, away from the tortured man at the cliffside and out of the soulgaze. The mental connection snapped like dry spaghetti, and the same force that had thrown my mind away from the soul-gaze sent my physical body flying back through the air. I hit an old cardboard box filled with empty bottles and heard glass shattering beneath me. The heavy leather duster held, and no broken shards buried themselves in my back. When a wizard looks into someone's eyes, he sees more than just what color they are. Eyes are windows to the soul. When I make eye contact for too long, or too intently, I get to peek in through the windows. You can't hide what you are from a wizard's soulgaze. And he can't hide from you. You both see each other for what you are, within, and it's with a clarity so intense that it burns itself into your head.Looking on someone's soul is something you never forget. No matter how badly you might want to. She turned and glowered at Bobby as she walked to the car. They got in without speaking, Emma driving, and left the lot. I walked over to my car, pensive. Thomas and Arturo had been right. Someone had whipped out one hell of a nasty entropy curse-assuming that this wasn't a coincidental focus of destructive energy-the mystical equivalent of being struck with a bolt of lightning. Sometimes energy can build up due to any number of causes-massive amounts of emotion, traumatic events, even simple geography. That energy influences the world around us. It's what gives the Cubbies the home-field advantage (though that whole billy goat thing sort of cancels it out), leaves an intangible aura of dread around sights of tragic and violent events, and causes places to get a bad reputation for strange occurrences. I hadn't sensed any particular confluence of energies until just before the curse happened to Giselle and Jake, but that didn't entirely rule out coincidence. There is a whole spectrum of magical energies that are difficult to define or understand. There are thousands of names for them, in every culture-mana, psychic energy, totem, juju, chi, bioethereal power, the Force, the soul. It's an incredibly complex system of interweaving energy that influences good old Mother Earth around us, but it all boils down to a fairly simple concept: Shit happens. The eyes are a window to the soul. Literally. Looking someone steadily in the eyes is an uncomfortable, intense experience for anyone. If you don't believe me, pick a stranger sometime, and just go up to them and stare them in the eye until that moment when there's a sudden acknowledgment of lowered barriers, that moment that inspires awkward silences and racing hearts. The eyes reveal a lot about a person. They express emotions and give clues to what thoughts are lurking behind them. One of the first things we all learn to recognize, as infants, are the eyes of whoever is taking care of us. We know from the cradle how important they are. For wizards like me, that kind of eye contact is even more intense, and even more dangerous. Looking into someone's eyes shows me what they are. I see it in a light of elemental truth so clear and bright that it burns it into my head forever. I see the core of who and what they are during a soulgaze, and they see me in the same way. There's nothing hidden, no possibility of deception. I don't see absolutely every thought or memory that passes through their head-but I do get to see the naked, emotional heart of who and what they are. It isn't a precise research technique, but it would tell me if Thomas was playing it straight. I met Thomas's grey eyes with my own dark gaze and the barriers between us fell. I found myself standing in a stark chamber that looked like an abstract of Mount Olympus after its gods died. Everything was made of cold, beautiful marble, alternating between utter darkness and snowy light. The floor was laid out like a chessboard. Statuary stood here and there, all human figures carved in stone that matched the decor. Particolored marble pillars rose up into dimness overhead. There wasn't a ceiling. There weren't any walls. The light was silver and cold. Wind sighed mournfully through the columns. Thunder rumbled somewhere far away, and my nose filled with the sharp scent of ozone. At the center of the forlorn ruin stood a mirror the size of a garage door. It was set in a silver frame that seemed to grow from the floor. A young man stood in front of it, one hand reaching out. I walked a little closer. My steps echoed among the pillars. I drew closer to the young man and peered at him. It was Thomas. Not Thomas as I had seen him with my own eyes, but Thomas nonetheless. This version of him was not deadly-beautiful. His face seemed a little more plain. He looked like he might have been a little nearsighted. His expression was strained with pain, and his shoulders and back were thick with tension. I looked past the young man into the mirror. There I saw one of those things that I would want to forget. But thanks to the Sight, I wouldn't. Ever. The reflection room in the mirror looked like the one I stood in at first glance. But looking closer revealed that rather than black and white marble, the place was made from dark, dried blood and sun-bleached bone. A creature stood there at the mirror, directly in front of Thomas. It was humanoid, more or less Thomas's size, and its hide shone with a luminous silver glow. It crouched, hunched and grotesque, though at the same time there was an eerie beauty about the thing. Its shining white eyes burned with silent flame. Its bestial face stared eagerly at Thomas, burning with what seemed to be unsatiated appetite. The creature's arm also extended to the mirror, and then with a shiver I realized that its limb was reaching a good foot past the mirror's surface. Its gleaming claws were sunk into Thomas's shaking forearm, and drops of dark blood had run from the punctures. Thomas's arm, meanwhile, had sunk into the mirror, and I saw his fingers digging in hard upon the flesh of the creature's forearm. Locked together, I sensed that the two were straining against each other. Thomas was trying to pull himself away from the thing. The creature was trying to drag him into the mirror, there among the dried blood and dead bones. I stopped in the darkened hall and turned to her. “Molly. Do you know what a soulgaze is?” “It… I read in a book that it’s when you look into someone’s eyes. You see something about who they are.” “Close enough,” I agreed. “You ever done it?” She shook her head. “The book said it could be dangerous.” “Can be,” I confirmed. “Though probably not for the reasons you’d think. When you see someone like that, Molly, there’s no hiding the truth about who you are. You see it all, good and bad. No specifics, usually, but you get a damned good idea about what kind of person they are. And it’s for keeps. Once you’ve seen it, it stays in your head, fresh, period. And when you look at them, they get the same look at you.” She nodded. “Why do you ask?” “I’d like to gaze on you, if you’re willing to permit it.” “Why?” I smiled a little, though my reflection in a passing window looked mostly sad. “Because I want to help you.” She turned away, as if to start walking again, but only swayed in place, her torn skirts whispering. “I don’t understand.” “I’m not going to hurt you, kid. But I need you to trust me for a little while.” She nodded, biting her lip. “Okay. What do I do?” I stopped and turned to face her. She mirrored me. “This might feel a little weird. But it won’t last as long as it seems.” “Okay,” she said, that lost-child tone still in her voice. I met her eyes. For a second, I thought nothing had happened. And then I realized that the soulgaze was already up and running, and that it showed me Molly, standing and facing me as nothing more than she seemed to be. But I could see down the hall behind her, and the church’s windows held half a dozen different reflections. One was an emaciated version of Molly, as though she’d been starved or strung out on hard drugs, her eyes aglow with an unpleasant, fey light. One was her smiling and laughing, older and comfortably heavier, children surrounding her. A third faced me in a grey Warden’s cloak, though a burn scar, almost a brand, marred the roundness of her left cheek. Still another reflection was Molly as she appeared now, though more secure, laughter dancing in her eyes. Another reflection showed her at a desk, working. But the last…The last reflection of Molly wasn’t the girl. Oh, it looked like Molly, externally. But the eyes gave it away. They were flat as a reptile’s, empty. She wore all black, including a black collar, and her hair had been dyed to match. Though she looked like Molly, like a human being, she was neither. She had become something else entirely, something very, very bad. Possibilities. I was looking at possibilities. There was definitely a strong presence of darkness in the girl, but it had not yet gained dominion over her. In all the potential images, she was a person of power—different kinds of power, certainly, but she was strong in all of them. She was going to wind up with power of her own to use or misuse, depending on what choices she made. What she needed was a guide. Someone to show her the ropes, to give her the tools she would need to deal with her newfound power, and all the baggage that came with it. Yes, that kernel of darkness still burned coldly within her, but I could hardly throw stones there. Yes, she had the potential to go astray on an epic scale. Don’t we all. I thought of Charity and Michael, Molly’s parents, her family. Her strength had been forged and founded in theirs. They both regarded the use of magic as something suspect at best, and if not inherently evil, then inherently dangerous. Their opposition to the power that Molly had manifested might turn the strength they’d given their daughter against her. If she believed or came to believe that her power was an evil, it could push her faster down the left-hand path. I knew something of how much Michael and Charity cared for their daughter. But they couldn’t help her. One thing was certain, though, and gave me a sense of reassurance. Molly had not yet indelibly stained herself. Her future had yet to be written. It was worth fighting for. The gaze ended, and the various images in the windows behind Molly vanished. The girl herself trembled like a frightened doe, staring up at me with her eyes wide and huge. “My God,” she whispered. “I never knew…” “Easy,” I told her. “Sit down until things stop spinning.” I helped her settle to the floor with her back to the wall, and I did the same beside her. I rubbed at a spot between my eyebrows that began to twinge. “What did you see?” she whispered. “That you’re basically a decent person,” I told her. “That you have a lot of potential. And that you’re in danger.” “Danger?” “Power’s like money, kid. It isn’t easy to handle well, and once you start getting it, you can’t have enough. I think you’re in danger because you’ve made a couple of bad choices. Used your power in ways that you shouldn’t. Keep it up, and you’ll wind up working for the dark side.” She drew her knees up to her chin and wrapped her arms around her legs. “Did… did you get what you needed?” Edited by Emilia Green, Feb 19 2013, 12:17 PM.
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| Balder Odinson | Mar 8 2013, 05:44 AM Post #2 |
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I drew in a deep breath, focused my thoughts, and blinked slowly, once. When I opened my eyes again, I brought my Sight along with them. A wizard’s Sight, his ability to perceive the world around him in a vastly broadened spectrum of interacting forces, is a dangerous gift. Whether it’s called spirit vision, or inner sight, or the Third Eye, it lets you perceive things you’d otherwise never be able to interact with. It shows you the world the way it really is, matter all intertwined with a universe of energy, of magic. The Sight can show you beauty that would make angels weep humble tears, and terrors that the Black-Goat-with-a-Thousand-Young wouldn’t dare use for its kids’ bedtime stories. Whatever you see, the good, the bad, the insanity-inducing—it sticks with you forever. You can’t ever forget it, and time doesn’t blur the memories. It’s yours. Permanently. Wizards who run around using their Sight willy-nilly wind up bonkers. My Third Eye showed me Chicago , in its true shape, and for a second I thought I had been teleported to Vegas. Energy ran through the streets, the buildings, the people, appearing to me as slender filaments of light that ran this way and that, plunging into solid objects and out the other side without interruption. The energies coursing through the grand old buildings had a solid and unmoving stability about them, as did the city streets—but the rest of it, the random energies generated by the thoughts and emotions of eight million people, was completely unplanned and coursed everywhere in frenetic, haphazard, garish color. Clouds of emotion were interspersed with the flickering campfire sparks of ideas. Heavy flowing streams of deep thought rolled slowly beneath blazing, dancing gems of joy. The muck of negative emotions clung to surfaces, staining them darker, while fragile bubbles of dreams floated blissfully toward kaleidoscope stars. Holy crap. I could barelysee the lines on the road through all of that. I checked over my shoulder, seeing each occupant of the cars behind me clearly, as brilliantly lit shapes of white that skittered with other colors that changed with thoughts, moods, and personalities. If I’d been closer to them, I’d have been able to see more details about them, though they would be subject to my subconscious interpretation. Even at this distance, though, I could tell that they were all mortals. That was a relief, in some ways. I’d be able to spot any wizard strong enough to be one of the Wardens. If whoever was pursuing me was a normal, it was almost certain that the Wardens hadn’t caught up to Morgan yet. I checked up above me and— Time froze. Try to imagine the stench of rotten meat. Imagine the languid, arrhythmic pulsing of a corpse filled with maggots. Imagine the scent of stale body odor mixed with mildew, the sound of nails screeching across a chalkboard, the taste of rotten milk, and the flavor of spoiled fruit. Now imagine that your eyes can experience those things, all at once, in excruciating detail. That’s what I saw: a stomach-churning, nightmare-inducing mass, blazing like a lighthouse beacon upon one of the buildings above me. I could vaguely make out a physical form behind it, but it was like trying to peer through raw sewage. I couldn’t get any details through the haze of absolute wrongness that surrounded it as it bounded from the edge of one rooftop to another, moving more than fast enough to keep pace with me. Someone screamed, and I dimly noted that it was probably me. The car hit something that made it shriek in protest. It jounced hard up and down,wham-wham . I’d drifted into the curb. I felt the front wheels shimmy through the steering wheel, and I slammed on the brakes, still screaming, as I fought to close my Third Eye. The Sight is something anyone born with enough talent has. It’s an extra sense, though when using it almost everyone experiences it as a kind of augmented vision. It shows you the primal nature of things, the true and emotional core of what they are. It also shows you the presence of magical energies that course through pretty much everything on the planet, showing you how that energy flowed and pulsed and swirled through the world. The Sight was especially useful for looking for any active magical constructs— that’s spells, for the newbie—and for cutting through illusions and spells meant to obfuscate what was true. I opened my Sight and it showed me what my physical eyes could not see about the room. It showed me something that, with as many bad things as I had seen in my life, still made me clench my fists and fight to keep from losing control of my stomach. The site of the attack, the blood, the brutality and pain inflicted upon the victim, had not been a simple matter of desire, conflict, and violence. It had been a deliberate, gleeful work of art. I could see patterns in the bloodstain, patterns that showed me the terrified face of an old man, pounded into a lumpy, unrecognizable mass by sledgehammer fists, each one a miniature portrait painted in the medium of terror and pain. When I looked at the smears on the sink, I could hear a short series of grunts meant to be desperate cries for help. And then the old man was hurled back down for another round of splatter portraits of pain. And just for a second, I saw a shadow on the wall—a brief glimpse, a form, a shape, something that left an outline of itself on the wall where it had absorbed the agonized energy of the old man’s suffering. I fought to push the Sight away from my perceptions again, and staggered. That was the drawback to using the Sight. The Sight could show you a lot of things, but everything you saw with it was there to stay. It wrote everything you perceived with it upon your memory in indelible ink, and those memories were always there, fresh and harsh when you went back to them, never blurring with the passage of time, never growing easier to endure. The little demonic diorama of bad vibes painted over the white tiles of that bathroom was going to make some appearances in my darker dreams. I guided Sue down another side street, and that's when I felt the cloud of power gathering before me. It swirled and writhed against my wizard's senses, sending tingling shafts of heat and cold and other, less recognizable sensations running through me. I shuddered at the disorienting strength of it. I felt a surge of simple, enormous hunger run through the beast I'd called up, as though the ancient animus I'd summoned from the spirit world was beginning to remember the finer things in life. I thought I heard a noise. I lifted a hand, forestalling whatever Butters was about to say. The sound didn't repeat itself. There was only thunder and rain. I put a finger to my lips and Butters nodded. Then I closed my eyes and reached out with my senses, slow and careful. For the barest second I felt my thoughts brush against a stirring of cold energy. Necromancy. I drew back from it with panicked haste. "Butters, get out." I closed my eyes and concentrated again, drawing in my will and power as I did so, casting my senses about in an effort to find the source of the dark power. I touched the necromantic working again, and this time I didn't even try to hide my presence by pulling away. To have the Third Sight suddenly opened to you like that, not knowing what it was, what was happening to you; to look on the man you had wed, who had given you children, and to see him for what he truly was, obsessed with power, consumed by greed-it had to have been hell. And it would remain with her. Always. She would never find the memory fading, never find the comfort and solace of years putting a comfortable padding between her and the image of her husband as a monster. So I opened my Third Eye. How can I explain what a wizard sees? It isn't something that lends itself readily to description. Describing something helps to define it, to give it limits, to set guardrails of understanding around it. Wizards have had the Sight since time began, and they still don't understand how it works, why it does what it does. The only thing I can say is that I felt as though a veil of thick cloth had been lifted away from me as I opened my eyes again-and not only from my eyes, but from all of my senses. I could abruptly smell the mud and fish odor of the lake, the trees around the house, the fresh scent of the coming rain preceding the storm on the smoke-stained wind. I looked at the trees. Saw them, not just in the first green coat of spring, but in the full bloom of summer, the splendor of the fall, and the barren desolation of winter, all at the same time. I Saw the house, and each separate part of it as its own component, the timbers as parts of spectral trees, the windows as pieces of distant sandy shores. I could feel the heat of summer and the cold of winter in the wind coming off the lake. I Saw the house wreathed in ghostly flames, and knew that those were part of its possible future, that fire lay down several of the many paths of possibility that lay ahead in the next hour. The house itself was a place of power. Dark emotions-greed, lust, hatred-all hung over it as visible things, molds and slimes that were strewn over it like Spanish moss with malevolent eyes. Ghostly things, restless spirits, moved around the place, drawn to the sense of fear, despair, and anger that hung over it, mindless shades that were always to be found in such places, like rats in granaries. The other thing that I Saw over the house was a grinning, empty skull. Skulls were everywhere, wherever I looked, just at the edge of my vision, silent and still and bleach white, as solid and real as though a fetishist had scattered them around in anticipation of some bizarre holiday. Death. Death lay in the house's future, tangible, solid, unavoidable. Maybe mine. I shuddered and shoved the feeling away. No matter how strong the vision, how powerful the image gained with the Sight, the future was always mutable, always something that could be changed. No one had to die tonight. It didn't have to come to that, not for them and not for me. But a sick feeling had settled into me, as I looked on this darkling house, with all of its stinking lust and fear, all of its horrid hate worn openly upon it to my Sight, like a mantle of flayed human skin on the shoulders of a pretty girl with gorgeous hair, luscious lips, sunken eyes, and rotting teeth. It repulsed me and it made me afraid. And something about it, intangible, something I couldn't name, called to me. Beckoned. Here was power, power I had thrust aside once before, in the past. I had thrown away the only family I had ever known to turn away power exactly like this. This was the sort of strength that could reach out and change the world to my will, bend it and shape it to my desiring, could cut through all the petty trivialities of law and civilization and impose order where there was none, guarantee my security, my position, my future. And what had been my reward for turning that power aside thus far? Suspicion and contempt from the very wizards I had acted to support and protect, condemnation from the White Council whose Law I had clung to when all the world had been laid at my feet. I could kill the Shadowman, now, before he knew I was here. I could call down fury and flame on the house and kill everyone in it, not leave one stone upon another. I could reach out and embrace the dark energy he had gathered in this place, draw it in and use it for whatever I wanted, and the consequences be damned. Why not kill him now? Violet light, visible to my Sight, throbbed and pulsed inside the windows, power being gathered and prepared and shaped. The Shadowman was inside, and he was gathering his might, preparing to unleash the spell that would kill me. What reason had I to let him go on breathing? I clenched my fists in fury, and I could feel the air crackle with tension as I prepared to destroy the lake house, the Shadowman, and any of the pathetic underlings he had with him. With such power, I could cast my defiance at the Council itself, the gathering of white-bearded old fools without foresight, without imagination, without vision. The Council, and that pathetic watchdog, Morgan, had no idea of the true depths of my strength. The energy was all there, gleeful within my anger, ready to reach out and reduce to ashes all that I hated and feared. The silver pentacle that had been my mother's burned cold on my chest, a sudden weight that made me gasp. I sagged forward a little, and lifted a hand. My fingers were so tightly crushed into fists that it hurt to try to open them. My hand shook, wavered, and began to fall again. Then something strange happened. Another hand took mine. The hand was slim, the fingers long and delicate. Feminine. The hand gently covered mine, and lifted it, like a small child's, until I held my mother's pentacle in my grasp. I held it in my hand, felt its cool strength, its ordered and rational geometry. The five-pointed star within the circle was the ancient sign of white wizardry, the only remembrance of my mother. The cold strength of the pentacle gave me a chance, a moment to think again, to clear my head. I took deep breaths, struggling to see clear of the anger, the hate, the deep lust that burned within me for vengeance and retribution. That wasn't what magic was for. That wasn't what magic did. Magic came from life itself, from the interaction of nature and the elements, from the energy of all living beings, and especially of people. A man's magic demonstrates what sort of person he is, what is held most deeply inside of him. There is no truer gauge of a man's character than the way in which he employs his strength, his power. I was not a murderer. I was not like Victor Sells. I was Harry Blackstone Copperfield Dresden. I was a wizard. Wizards control their power. They don't let it control them. And wizards don't use magic to kill people. They use it to discover, to protect, to mend, to help. Not to destroy. The anger abruptly evaporated. The burning hate subsided, leaving my head clear enough to think again. The pain in my leg settled into a dull ache, and I shivered in the wind and the first droplets of rain. I didn't have my staff, and I didn't have my rod. The trinkets I did have with me were either expended or burned to uselessness. All I had was what was inside me. I looked up, suddenly feeling smaller and very alone. There was no one near me. No hand was touching mine. No one stood close by. For just a moment, I thought I smelled a whiff of perfume, familiar and haunting. Then it was gone. And the only one I had to help me was myself. I blew out a breath. "Well, Harry," I told myself, "that's just going to have to be enough." And so, I walked through a spectral landscape littered with skulls, into the teeth of the coming storm, to a house covered in malevolent power, throbbing with savage and feral mystic strength. I walked forward to face a murderous opponent who had all the advantages, and who stood prepared and willing to kill me from where he stood within the heart of his own destructive power, while I was armed with nothing more than my own skill and wit and experience. Do I have a great job or what? The Sight of Victor's lake house will always be with me. It was an abomination. It looked innocuous enough, physically. But on a deeper level, it was foul, rotten. It seethed with negative energy, anger and pride and lust. Especially lust. Lust for wealth, lust for power, more than physical desire. Shadowy spirit-beings that weren't wholly real, only manifestations of the negative energy of the place, clung to the walls, the rain gutters, the porch, the windowsills, glutting themselves on the negative energy left over from Victor's spellcasting. I was guessing that there was a lot of it. He didn't strike me as someone who would be able to make sure that his spells were energy-efficient. I limped up the front steps. My Sight revealed no alarms, no sorcerous trip wires. I might be giving Victor Shadowman too much credit. He was as powerful as a full-blown wizard, but he didn't have the education. Muscle, not brains, that was Victor Shadowman. I had to keep that in mind I tried the front door, just for the hell of it. It opened. I blinked. But I didn't question the good fortune, or the overconfidence that had seen to it that Victor left his front door standing unlocked. Instead, I took a breath, gathered up what will I had, and pressed inside. I forget how the house was furnished or decorated. All I remember is what the Sight showed me. More of the same as the outside, but more concentrated, more noxious. Things clung everywhere, things with silent, glittering eyes and hungry expressions. Some reptilian, some more like rats, some insectoid. All of them were unpleasant, hostile, and shied away from me as I came in, as the aura of energy I held in readiness around me touched them. They made quiet noises, things I would never have heard with my ears-but the Sight encompasses all of that. There was a long, dark hallway coated with the things. I advanced slowly, quietly, and they oozed and crept and slithered from my path. The dark purple light of magic, that I had seen from the outside, was ahead of me, and growing brighter. I could hear music playing, and recognized it as the same piece that had been playing on the CD player at the Madison in Tommy Tomm's suite when Murphy had asked me there on Thursday. Slow, sensuous music, steady rhythm. I closed my eyes for a moment, listening. I heard sounds. A quiet whisper, being repeated over and over, a man's voice repeating an incantation, holding a spell in readiness for release. That would be Victor. I heard soft sighs of pleasure from a woman. The Beckitts? I could only assume so. And, in a rumble that I could feel through the soles of my boots, I heard thunder over the lake. The low, chanting voice took on an edge of vicious, spiteful satisfaction, and continued the incantation. I gathered up what energy I had and stepped around the corner, out of the hallway, into a spacious room that stretched up to the full height of the house without interruption, yards of open air. The room below was a living room. A spiral staircase wound its way up to what looked like a kitchen and dining room on a sort of platform or balcony above the rest of the room. The elevated deck on the back of the house must be accessible from the platform. There was no one in the main room. The chanting, and the occasional sigh, came from the platform above. The CD player was down in the room beneath, music flowing from speakers that were covered with an image of fire and dozens of bloated, disgusting creature forms, feeding on the music as it came out. I could see the influence of the music as a faint, violet mist, in tune with the light coming from the platform above. This was a complex ritual spell, then, involving many base elements coordinated by the central wizard, Victor. Tricky. No wonder it was so effective. It must have taken Victor a lot of trial and error to figure it out. I glanced up at the platform, then crossed the room, keeping as far away as I could from the CD player. I slipped under the platform without making any noise, and dozens upon dozens of slimy not-physical spirit things oozed from my path. Rain increased to a dull, steady rhythm outside, on the roof and on the wooden deck and against the windows. There were boxes stacked all around me, plastic cases and cartons and cardboard boxes and wooden crates. I opened the nearest one, and saw, inside, at least a hundred slender vials like the ones I had seen before, full of the liquid ThreeEye. Beneath the vision of my Sight, it looked different, thick and cloudy with possibility, potential disaster lurking in every vial. Faces, twisted in horror and torment, swam through the liquid, ghostly images of what might be. I looked at the other boxes. In one, ancient liquor bottles full of an almost luminescent green liquid. Absinthe? I leaned closer, sniffing, and could almost taste the madness that swam latent in the liquid. I leaned back from the boxes, stomach churning. I checked the other boxes, quickly. Ammonia, reminiscent of hospitals and mental wards. Peyote mushrooms in plastic Tupperware-I was familiar with them. Alum, white and powdery. Antifreeze. Glitter in a hundred metallic shades in a huge plastic bag. Other things, deeper in the shadows, that I didn't take the time to look at. I had already figured out what all the articles were for. Potions. Ingredients for potions. This was how Victor was making the ThreeEye. He was doing the same thing I did when I made my little potions, but on a grander scale, using energy he stole from other places, other people. He used absinthe as the base, and moved out from there. Victor was mass-producing what amounted to a magical poison, one that probably remained inert until it was inside someone, interacting with their emotions and desires. That would explain why I hadn't noticed anything about it, before. It wouldn't have been obvious to a cursory examination, or to anything short of fully opening up my Sight, and that wasn't something I did very often. I closed my eyes, shaking. The Sight was showing me too much. That was always the problem with it. I could look at these ingredients, the cases of the finished drug, and catch flash images of exactly how much suffering could be caused. There was too much. I was starting to get disoriented. Thunder came again, more sharply, and above me, Victor's voice rose in pitch, to something audible. He was chanting in an ancient language. Egyptian? Babylonian? It didn't really matter. I could understand the sense of the words clearly enough. They were words of hate, malevolence. They were words that were meant to kill. My shaking was becoming more pronounced. Was it only the effects of the Sight? The presence of so much negative energy, reacting with me? No. I was simply afraid. Terrified to come out of my hiding place under the platform and to meet the master of the slithering horde that was draped over everything in sight. I could feel his strength from here, his confidence, the force of his will infusing the very air with a sort of hateful certainty. I was afraid with the same fear that a child feels when confronted with a large, angry dog, or with the neighborhood bully, the kind of fear that paralyzes, makes you want to make excuses and hide. But there was no time for hiding. No time for excuses. I had to act. So I forced my Sight closed and gathered my courage as best I could |
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| Balder Odinson | Mar 8 2013, 05:45 AM Post #3 |
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"All right," I breathed. "I'm going to have to get a little desperate, here. If you weren't a friend, Micky …" I closed my eyes for a moment, steeling myself, then focused my will into a spot right between my eyebrows, only a little higher. I felt the tension gather there, the pressure, and when I opened my eyes again, I'd opened my wizard's Sight, too. The Sight is a blessing and a curse. It lets you see things, things you couldn't normally see. With my Sight, I can see even the most ethereal of spirits. I can see the energies of life stirring and moving, running like blood through the world, between the earth and the sky, between water and fire. Enchantments stand out like cords braided from fiber-optic cables, or maybe Las Vegas-quality neon, depending on how complicated or powerful they are. You can sometimes see the demons that walk among mankind in human form, this way. Or the angels. You see things the way they really are, in spirit and in soul, as well as in body. The problem is that anything you see stays with you. No matter how horrible, no matter how revolting, no matter how madness-inducing or terrifying-it stays with you. Forever. Always right there in your mind in full technicolor, never fading or becoming easier to bear. Sometimes you see things that are so beautiful you want to keep them with you, always. But more often, in my line of work, you see things like Micky Malone. He was dressed in boxers and a white undershirt, stained with bits of blood and sweat and worse. But when I turned my Sight on him, I saw something different. He had been ravaged. Torn apart. He was missing flesh, everywhere. Something had attacked him and taken out sections of him in huge bites. I'd seen pictures of people who'd been attacked by sharks, had hunks of meat just taken, gone. That's what Micky looked like. It wasn't visible to the flesh, but something had torn his mind, and maybe his soul, to bloody shreds. He bled and bled, endlessly, never staining the sheets. And wound around him, starting at his throat and running down to one ankle was a strand of black wire, oversized barbs gouging into his flesh, the ends disappearing seamlessly into his skin. I stared at him, horrified, my stomach writhing and heaving. I had to fight to keep from throwing up. Micky looked up at me and seemed to sense something was different, because he went abruptly still. His smile didn't look mad to me anymore. It looked agonized, like a grimace of pain twisted and cranked until the muscles of his face were at the snapping point. His lips moved. Shook, his whole face writhing with the expression. "Uh, uh, uh," he moaned. "It's all right, Micky," I said. I clasped my hands together to keep them from shaking. "I'm here." "Hurts," he breathed at last, barely a whisper. "It hurts, it hurts, it hurts, it hurts, it hurts, it hurts …" He went on and on repeating it until he ran out of breath. Then he squeezed his eyes shut. Tears welled out and he broke into another helpless, maddened giggle. What the hell could I do for that !The barbed wire had to be a spell of some kind, but it didn't look like anything I had ever seen before. Most magic throbbed and pulsed with light, life, even if it was being used for malevolent purposes. Magic comes from life, from the energy of our world and from people, from their emotions and their will. That's what I had always been taught. But that barbed wire was dull, flat, matte-black. I reached out to touch it, and it almost seared my fingers with how cold it was. Micky, God. I couldn't imagine what he must have been going through. The smart thing to do would have been to fall back. I could get Bob and work on this, research it, figure out how to get the wire from around Micky without hurting him. But he had already been suffering through this for hours. He might not make it through many more-his sanity was going to be hard-pressed to survive the spiritual mauling he had taken. Adding another day of this torture onto it all might send him someplace from where he'd never come back. I closed my eyes and took a breath. "I hope I'm right, Micky," I told him. "I'm going to try to make it stop hurting." He let out a whimpering little giggle, staring up at me. I decided to start at his ankle. I swallowed, steeling myself again, and reached down, getting my fingers between the burning cold barbed wire and his skin. I clenched my teeth, forcing will, power, into the touch, enough to be able to touch the material of the spell around him. Then I started pulling. Slowly, at first, and then harder. The metal strands burned into me. My fingers never went numb-they just began to ache more and more violently. The barbed wire resisted, barbs clinging at Micky's flesh. The poor man screamed aloud, agonized, though there was that horrible, tortured laughter added to it as well. I felt tears burn into my eyes, from the pain, from Micky's scream, but I kept pulling. The end of the wire tore free of his flesh. I kept pulling. Barb by barb, inch by inch, I tore the wire-spell free, drawing it up through his flesh at times, pulling that dead, cold energy away from Micky. He screamed until he ran out of breath and I heard whimpers coming from somewhere else in the room. I guess it was me. I started using both hands, struggling against the cold magic. Finally, the other end slithered free from Micky's neck. His eyes flew open wide and then he sagged down, letting out a low, exhausted moan. I gasped and stumbled back from the bed, keeping the wire in my hands. It suddenly twisted and spun like a serpent, and one end plunged into my throat. Ice. Cold. Endless, bitter, aching cold coursed through me, and I screamed. I heard footsteps running down the hall outside, a voice calling out. The wire whipped and thrashed around, the other end darting toward the floor, and I seized it in both hands, twisted it up and away from attaching itself at the other end. The loose strands near my neck started rippling, cold barbs digging into me through my clothes, my skin, as the dark energy tried to attach itself to me . The door burst open. Murphy came through it, her eyes living flames of azure blue, her hair a golden coronet around her. She held a blazing sword in her hand and she shone so bright and beautiful and terrifying in her anger that it was hard to see. The Sight, I realized, dimly. I was seeing her for who she was. "Harry! What the hell?" I struggled against the wire, knowing that she couldn't see it or feel it, gasping. "The window. Murph, open the window!" She didn't hesitate for a second, but crossed the floor and threw open the window. I staggered after her, winding the frozen wire around one hand, my mind screaming with the agony of it. I fought it down, dragged it into a coil, my face twisted into a snarl as I did it. Anger surged up, hot and bright, and I reached for that power as I jerked the wire from my throat and threw it out the window as hard as I could, sending it sailing into the air. I snarled, jabbed a finger at it, took all that anger and fear and sent it coursing out of me, toward that dark spell. " Fuego!" Fire came to my call, roared forth from my fingertips and engulfed the wire. It writhed and then vanished in a detonation that rattled the house around me and sent me tumbling back to the floor. I lay there for a minute, stunned, trying to get a handle on what was happening. Damn the Sight. It starts blurring the lines between what's real and what isn't. A guy would go crazy that way. Fast. Just keep it open all the time and let everything pour in and really know what everything is like. That sounded like a good idea, really. Just bask in all the beauty and horror for a while, just drink it all in and let it erase everything else, all that bother and worry about people being hurt or not being hurt- I found myself sitting on the floor, aching from cold that had no basis in physical reality, giggling to myself in a high-pitched stream, rocking back and forth. I had to struggle to close my Sight again, and the second I did, everything seemed to settle, to become clearer. I looked up, blinking tears out of my eyes, panting. Outside, dogs were barking all over the place, and I could hear several car alarms whooping, touched off by the force of the blast. I drew in a slow breath. Wizards can see things most people can't. It's called the Sight, the Third Eye, a lot of other names. If a wizard uses his Sight, he can see the forces of magic themselves at work, spells like braids of neon lights, veils pierced like projections on a screen. A wizard's Sight shows things as they truly are, and it's always an unsettling experience, one way or the other. What you see with the Sight stays with you. Good or bad, it's always just as fresh in your mind as if you'd just seen it. I'd looked on a little tree-spirit being with my Sight when I'd been about fourteen, the first time it had happened to me, and I still had a perfect picture of it in my head, as though I was still looking at it, a little cartoonish being that was part lawn gnome and part squirrel. I'd seen worse since. Much worse. Demons. Mangled souls. Tormented spirits. All of that was still there too. But I'd also seen better. One or two glimpses of beings of such beauty and purity and light that it could make me weep. But each time it got a little harder to live with, a little harder to bear, a cumulative weight. I gritted my teeth, closed my eyes, and with careful deliberation unlocked my Sight. Opening my eyes again made me stagger as I was hit with a sudden rush of impressions. The cloudy landscape absolutely seethed with magical energies. From the southern hilltop, wild green and golden light spilled, falling over the landscape like a translucent garden, vines of green, golden flowers, flashes of other colors spread through them, clawing at the gentle ground, anchored here and there at points of light so vibrant and bright that I couldn't look directly at them. From the other side, cold blue and purple and greenish power spread like crystals of ice, with the slow and relentless power of a glacier, pressing ahead in some places, melted back in others, especially strong around the valley's winding rivers. The conflict of energies both wound back to the hilltops themselves, to points of light as bright as small suns. I could, just barely, see the shadow of solid beings within those lights, and even the shadow of each was an overwhelming presence upon my senses. One was a sense of warmth, choking heat, so much that I couldn't breathe, that it pressed into me and set me aflame. The other was of cold, horrible and absolute, winding cold limbs around me, stealing away my strength. Those presences flooded through me, sudden beauty, power so terrifying and exhilarating and awesome that I fell to my knees and sobbed. Those powers played against one another-I could sense that, though not the exact nature of their conflict. Energies wound about one another, subtle pressures of darkness and light, leaving the landscape vaguely lit in squares of cold and warm color. Fields of red and gold and bright green stood against empty, dead blocks of blue, purple, pale white. A pattern had formed in them, a structure to the conflict that was not wholly complete. Most of a chessboard. Only at the center, at the Table, was the pattern broken, a solid area of Summer's power in green and gold around the Stone Table, while Winter's dark, crystalline ice slowly pressed closer, somehow in time with the almost undetectable motion of the stars overhead. So I saw it. I got a look at what I was up against, at the naked strength of the two Queens of Faerie, and it was bigger than me. Every ounce of strength I could have summoned would have been no more than a flickering spark beside either of those blazing fountains of light and magic. It was power that had existed since the dawn of life, and would until its end. It was power that had cowed mortals into abject worship and terror before-and I finally understood why. I wasn't a pawn of that kind of strength. I was an insect beside giants, a blade of grass before towering trees. And there was a dreadful attraction in seeing that power, something in it that called to the magic in me, like to like, made me want to hurl myself into those flames, into that endless, icy cold. Moths look at bug zappers like I looked at the Queens of Faerie. I tore my eyes away by hiding my face in my arms. I fell to my side on the ground and curled up, trying to shut the Sight, to force those images to stop flooding over me. I shook and tried to say something. I'm not sure what. It came out as stuttering, gibbering sounds. After that, I don't remember much until cold rain started slapping me on the cheek. I opened my eyes and found myself lying on the cold, wet ground on the shores of Lake Michigan, where I'd first called out to my godmother. My head was on something soft that turned out to be her lap. I sat up and away from her quickly. My head hurt, and the images the Sight had showed me made me feel particularly small and vulnerable. I sat shivering in the rain for a minute before I glanced back at my godmother. "You should have warned me." Her face showed no remorse, and little concern. "It would have changed nothing. You needed to see." She paused and then added, "I regret that it was the only way. Do you yet understand?" I met Thomas's grey eyes with my own dark gaze and the barriers between us fell. I found myself standing in a stark chamber that looked like an abstract of Mount Olympus after its gods died. Everything was made of cold, beautiful marble, alternating between utter darkness and snowy light. The floor was laid out like a chessboard. Statuary stood here and there, all human figures carved in stone that matched the decor. Particolored marble pillars rose up into dimness overhead. There wasn't a ceiling. There weren't any walls. The light was silver and cold. Wind sighed mournfully through the columns. Thunder rumbled somewhere far away, and my nose filled with the sharp scent of ozone. At the center of the forlorn ruin stood a mirror the size of a garage door. It was set in a silver frame that seemed to grow from the floor. A young man stood in front of it, one hand reaching out. I walked a little closer. My steps echoed among the pillars. I drew closer to the young man and peered at him. It was Thomas. Not Thomas as I had seen him with my own eyes, but Thomas nonetheless. This version of him was not deadly-beautiful. His face seemed a little more plain. He looked like he might have been a little nearsighted. His expression was strained with pain, and his shoulders and back were thick with tension. I looked past the young man into the mirror. There I saw one of those things that I would want to forget. But thanks to the Sight, I wouldn't. Ever. The reflection room in the mirror looked like the one I stood in at first glance. But looking closer revealed that rather than black and white marble, the place was made from dark, dried blood and sun-bleached bone. A creature stood there at the mirror, directly in front of Thomas. It was humanoid, more or less Thomas's size, and its hide shone with a luminous silver glow. It crouched, hunched and grotesque, though at the same time there was an eerie beauty about the thing. Its shining white eyes burned with silent flame. Its bestial face stared eagerly at Thomas, burning with what seemed to be unsatiated appetite. The creature's arm also extended to the mirror, and then with a shiver I realized that its limb was reaching a good foot past the mirror's surface. Its gleaming claws were sunk into Thomas's shaking forearm, and drops of dark blood had run from the punctures. Thomas's arm, meanwhile, had sunk into the mirror, and I saw his fingers digging in hard upon the flesh of the creature's forearm. Locked together, I sensed that the two were straining against each other. Thomas was trying to pull himself away from the thing. The creature was trying to drag him into the mirror, there among the dried blood and dead bones. I opened my eyes along with my Sight, and focused on the people standing in line. I don't know if you've ever seen a sheep slaughtered for mutton. The process isn't fast, even if it isn't really cruel. They make the sheep lie down on its side and cover its eyes. The sheep lies there without struggling, and the shepherd takes a sharp knife and draws a single, neat line across its throat. The sheep jerks in a sharp twitch of surprise, while the shepherd holds it gently down. It smells blood and stirs more. Then the animal quiets again under the shepherd's hand. It bleeds. It doesn't look real, the first time you see it, because the blood is too bright and thick, and the animal isn't struggling. There's a lot of blood. It spreads out on the ground, soaking into dirt or sand. It dyes the wool of the sheep's chest, throat, and legs a dark, rusty red. Sometimes the blood gets into a puddle around its nose, and the animal's breaths make scarlet ripples. Before the end, the sheep might twitch and jerk another time or two, but it's silent, and it doesn't really make an effort to fight. It lies there, becoming more still, and after several minutes that stroll past in no great hurry, it dies. That's what they looked like to my Sight, those people the vampires had enthralled. They stood calmly, relaxed, thinking of nothing. Like sheep, they had been blindfolded to the truth somehow. Like sheep, they did not struggle or flee. Like sheep, they were being kept for whatever benefit their lives would provide-and like sheep they would eventually be taken for food. I saw them, defenseless and beaten, blood soaking into their clothing while they lay still under the hand of a being more powerful than they. They stood quietly, dying like sheep. Or rather, five of them did. The sixth was a Renfield. For the briefest second, I saw the sixth victim, a burly man of middle years and wearing a blue oxford shirt, as a sheep like the rest of them. Then that image vanished, replaced by something inhuman. His face looked twisted and deformed, and his muscles swelled hideously, bulging with blackened veins and quivering with unnatural power. There was a band of shimmering, vile energy wreathing his throat in an animal's collar-the reflection of the dark magic that had enslaved him. But worst of all were his eyes. The man's eyes looked as if they had been clawed out by something with tiny, scalpel-sharp talons. I met his blind gaze, and there was nothing there. Nothing. Just an empty darkness so vast and terrible that my lungs froze and my breath locked in my throat. By the time I realized what I was seeing, the man had already let out a feral shriek and charged me. I shouted in surprise and tried to back up, but he was simply too fast. He backhanded me. The enchantments on my duster diverted much of the power in it, so it didn't crack any of my ribs, but it was still strong enough to throw me from my feet and into a wall. I dropped to the floor, stunned. An angel, blazing with fury and savage strength, spun toward the Renfield, her eyes shining with azure flame, a shaft of fire in her hands. The angel was dressed in soiled robes smudged with smoke and blood and filth, no longer white. She bled from half a dozen wounds, and moved as if in terrible pain. Murphy. There was a peal of thunder, and flame leapt from the shaft of light in her hands. The Renfield, now deformed with muscle like some kind of madman's gargoyle, accepted the blow, and batted the shaft of light from the angel's hands. She dove for the weapon. The Renfield followed, reaching for her neck. Something hit it hard, a second shaft, though this one was made not of light but of what looked like solidified smog of black and deep purple. The blow drove the Renfield from its feet, and the angel recovered the fallen weapon. Another shaft of light thundered into the Renfield's head, and it collapsed abruptly to the ground. I shook my head, trying to tear away from painful clarity of my Sight. I heard a footstep nearby. Still stunned, I looked behind me. For just a second I saw something standing there. Something enormous, malformed, something silent and merciless and deadly. It had to crouch to keep from brushing the ceiling with the horns curling away from its head, and batlike wings spread from its shoulders to fall around it and behind it, to drag along the floor, and I thought I saw some kind of hideous double image lurking behind it like the corpse-specter of Death himself. Then the second was past, I pushed my Sight away, and Kincaid stood frowning down at me. "I said, are you all right?" I closed my eyes and laid my hand on the door, gently pushing my awareness through the door, feeling silently for patterns of energy that might indicate magical wards like the ones protecting my apartment. My magical awareness was akin to the Sight, just as my sense of touch was akin to my sense of sight. It cost me less than opening the Sight, and was infinitely more gentle to my psyche. Of course you didn't," he said. I saw him frown a little in concentration, and then his eyes went a bit out of focus. He swept his gaze around the room, using his Sight, that odd, half-surreal sense that lets wizards observe the forces of magic moving around them. A wizard's Sight cuts through all kinds of veils and spells meant to disguise and distract. It's a potent ability, but it comes at a price. Anything you see through the Sight stays with you, never fading in your memory, always right there for recall, as if you'd just seen it. You can't just forget something that you See. It's there for life. Morgan didn't let his gaze linger too long near Mac or myself, and then he nodded to himself, and called out, "Clear." I closed my eyes for a moment, and opened my inner vision, my wizard's Sight, and turned to face Shiela. The little apartment simply dissolved, sliding away like paint being washed away by a stream of falling water. In its place I could see a dimly lit, gutted building. Studs stood naked where the drywall had been removed. There were piles of scrap wiring, half-rotted-looking ducts, and similar refuse, which had been removed from the building and thrown aside into refuse piles. The place had been prepared for renovation—but it was empty. The only window I could see was broken. Thunder rumbled, the sound slightly different than it had been a moment before. The driving rain gained a couple of notches of volume, beating hollowly on the old apartment building. I stared at Shiela with my Sight, and she stood there unchanged— except that I could see a faint tint of light around her, subtle but definite. It meant that she was either a noncorporeal presence or an illusion of thought and energy rather than a reality. But if she'd been an illusion, she should have faded away entirely, as the apartment had done. I released my Sight again. My stomach twisted on itself, a burning, bitter feeling. "Shiela," I said quietly. "Stars and stones, it's all but your real name, isn't it? Lasciel." The Sight is something anyone born with enough talent has. It’s an extra sense, though when using it almost everyone experiences it as a kind of augmented vision. It shows you the primal nature of things, the true and emotional core of what they are. It also shows you the presence of magical energies that course through pretty much everything on the planet, showing you how that energy flowed and pulsed and swirled through the world. The Sight was especially useful for looking for any active magical constructs— that’s spells, for the newbie—and for cutting through illusions and spells meant to obfuscate what was true. I opened my Sight and it showed me what my physical eyes could not see about the room. It showed me something that, with as many bad things as I had seen in my life, still made me clench my fists and fight to keep from losing control of my stomach. The site of the attack, the blood, the brutality and pain inflicted upon the victim, had not been a simple matter of desire, conflict, and violence. It had been a deliberate, gleeful work of art. I could see patterns in the bloodstain, patterns that showed me the terrified face of an old man, pounded into a lumpy, unrecognizable mass by sledgehammer fists, each one a miniature portrait painted in the medium of terror and pain. When I looked at the smears on the sink, I could hear a short series of grunts meant to be desperate cries for help. And then the old man was hurled back down for another round of splatter portraits of pain. And just for a second, I saw a shadow on the wall—a brief glimpse, a form, a shape, something that left an outline of itself on the wall where it had absorbed the agonized energy of the old man’s suffering. I fought to push the Sight away from my perceptions again, and staggered. That was the drawback to using the Sight. The Sight could show you a lot of things, but everything you saw with it was there to stay. It wrote everything you perceived with it upon your memory in indelible ink, and those memories were always there, fresh and harsh when you went back to them, never blurring with the passage of time, never growing easier to endure. The little demonic diorama of bad vibes painted over the white tiles of that bathroom was going to make some appearances in my darker dreams. It looked like I’d found the black magic the Gatekeeper warned me about. Just as well that I hadn’t tried the dangerous spell with Little Chicago. I shuddered. That kind of damage showed itself in a number of ways, and none of them were pretty. I’d seen men driven to agonies of madness by spiritual attacks. Murphy had been subjected to such an assault and spent years learning to cope with the night terrors it had spawned, until the spiritual and psychological wounds had finally healed. I’d seen some who had been subjected to a psychic sandblasting by vampires of the Black Court who had become nearly mindless bodies, obeying orders, and others of the same ilk who had turned into psychotic killing machines in service to their masters. The worst part of it all was that almost the only way for me to see something like that was to open my Sight. Which meant that every horribly mangled psyche I’d come across remained fresh and bright in my memory. Always. The top shelf of my mental trophy case was getting crowded with hideous keepsakes. It was a slight effort of concentration to push away the concerns of the material world, like aches and pains and bruises and why my dog was growling at Molly, and then the mere light and shadow and color of the everyday world dissolved into the riot of flowing energy and currents of light and power that lay beneath the surface. Murphy looked like Murphy had always looked beneath my Sight. She appeared almost as herself, but clearer, somehow, her eyes flashing, and she was garbed in a quasi angelic tunic of white, stained in places with the blood and mud of battle. A short, straight sword, its blade made of almost viciously bright white light, hung beneath her left arm, where I knew her light cotton blazer hid her gun in its shoulder rig. She looked at me and I could see her physical face as a vague shadow beneath the surface of the aspect I saw now. She smiled at me, a sunny light in it, though her body’s face remained a neutral mask. I was seeing the life, the emotion behind her face, now. I shied away from staring at her lest I make eye contact for too long— but that smile, at least, was something I wouldn’t mind remembering. Rosie was another story. The physical Rosie was a small, slight, pale young woman with thin, frail features. The Rosie my Sight revealed to me was entirely different. Pale skin became a pallid, dirty, leathery coating. Large dark eyes looked even bigger, and flicked around with darting, avian jerks. They were furtive eyes, giving her the dangerous aspect of a stray dog or maybe some kind of rat—the eyes of a craven, desperate survivor. Winding veins of some kind of green-black energy pulsed beneath her skin, particularly around the inside bend of her left arm. The writhing strings of energy ended at the surface of her skin, in dozens of tiny, mindlessly opening and closing little mouths—the needle tracks I’d seen the night before. Her right hand kept darting back and forth over the other arm as if trying to scratch a persistent itch. But her fingers couldn’t touch. There was a kind of sheath of sparkling motes around her hands, almost like mittens, and she couldn’t actually touch those mindlessly hungry mouths. Worse, there were what looked almost like burn marks on her temples— small, black, neat holes, as if someone had bored a hot needle through the skin and skull beneath. There was a kind of phantom blood around the injuries, but her eyes were wide and vague, as if she didn’t even notice them. What the hell? I had seen the victims of spiritual attacks before, and they’d never been pretty. Usually they looked like the victim of a shark attack, or someone who had been mauled by a bear. I hadn’t ever seen someone with damage like Rosie’s. It looked almost like some kind of demented surgeon had gone after her with a laser scalpel. That pushed the weirdometer a couple of clicks beyond the previous record. My head started pounding and I pushed the Sight away. I leaned my hip against the wall for a second and rubbed at my temples until the throbbing subsided and I was sure that my normal vision had returned. She was a young girl, still in her late teens, nervously thin, her hair a shocking color of red that for some reason did not strike me as a dye job. She lay on her front, her head turned to the side, muddy brown eyes open and blank. Her back had been covered in bandages. As my Sight focused on her, I saw more. The girl’s psyche had been savagely mauled, and as I watched her, phantom bruises darkened a few patches of skin that remained, and blood and watery fluids oozed from the rest of her torn flesh. Her mouth was set in a continual, silent wail, and beneath the real-world glaze, her eyes were wide with terror. If there’d been enough left of her behind those eyes, Miss Becton would have been screaming. My stomach rolled and I barely spotted a trash can in time to throw up into it. Murphy crouched down at my side, her hand on my back. “Harry? Are you okay?” Anger and empathy and grief warred for first place in my thoughts. Across the room, I was dimly conscious of a clock radio warbling to life and dying in a puff of smoke. The room’s fluorescent lights began to flicker as the violent emotions played hell with the aura of magic around me. “No,” I said in a vicious, half-strangled growl. “I’m not okay.” Murphy stared at me for a second, and then looked at the girl. “Is she…” “She isn’t coming back,” I said. I spat a few times into the trash can and stood up. My headache started to return. The girl’s terrified eyes stayed bright and clear in my imagination. She’d been out for a fun time. A favorite movie. Maybe coffee or dinner with friends afterward. She sure as hell hadn’t woken up yesterday morning and wondered if today would be the day some kind of nightmarish thing would rip away her sanity. “Harry,” Murphy said again, her voice very gentle. “You didn’t do this to her.” Pell was a sour-looking old cuss made out of shoe leather and gristle. One arm and both legs were in casts, and he was in traction. One side of his face was swollen with bruising. A plastic tube for oxygen ran beneath his nose. Bandages swathed his head, though bits of coarse grey hair stuck out. One eye was swollen mostly shut. The other was open, dark, and glittering. Beyond the physical surface, his wounds were very nearly as dire as those the girl had suffered. He had been brutally beaten. Phantom bruises slid around his wrinkled skin, and the shapes of distorted bones poked disquietingly at the surface. And I saw something about the old man, too. Beneath the shoe leather and gristle, there were more shoe leather and gristle. And iron. The old man had been badly beaten, but it wasn’t the first such he had endured—physically or spiritually. He was a fighter, a survivor. He was afraid, but he was also angry and defiant. Whatever had done this to him hadn’t gotten what it wanted—not like it had with the girl. It had to settle for a physical beating when its attack hadn’t elicited the terror and anguish it had expected. The old man had faced it, and he didn’t have any power of his own, beyond a lifetime of stubborn will. If he’d done it, as painful and as frightening as it must have been, I could steel myself against Looking at the aftermath. I released my Sight slowly and took a deep breath. Murphy, poised beside me as if she expected me to abruptly collapse, tilted her head and peered at me. If little Daniel had been the recipient of a savage beating, Nelson’s spirit had been in the hands of Hell itself. His entire upper body was disfigured under my Sight, covered in hideous, festering boils and raw, bleeding burns. The damage was worst around his head, and faded gradually as it descended his torso. And each of his temples bore tiny, neat holes, sharp and cauterized, as if by a laser scalpel. Just like Rosie. At once, my vision cut through Luccio's bewildering haze as though it had never existed. I could see the mountainside in perfect detail—even as it was in turn partially veiled by the vision my Sight granted me, which showed me all the living magic in the world around us, all the traces of magic that had lingered before, including dozens of imprints made in the past few days, and hundreds of ghostly glimpses of particularly strong emotional images that had sunk into the area during its heyday. I could see where the girl who now lay shuddering with a bullet in her had tried to call up raw fire for the first time, near a scorch mark upslope. I could see where a grizzled man, desperately addicted to opium and desperately broke, had shot himself more than a century ago, and where by night his shade still lingered, leaving fresh imprints behind. And I could see the little coiling cloud of darkness that formed the inhuman energy of the attacking ghoul, running hot on the emotions of battle. I marked the ghoul's location, lowered my Sight |
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