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| all of it; multipart in-the-works poem | |
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| Topic Started: Nov 27 2011, 10:27 AM (1,988 Views) | |
| suzannahhh | Nov 27 2011, 10:27 AM Post #1 |
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Forum junkie
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all of it 1] now.*slips away.*and it is now. again. but not the same now***and now*****and*****now in each now***the things *of substance small and large **too small to be seen **too large to be seen *and the seeable some are here more are there too near to be seen too far to be seen or near enough but I am not looking in that direction right now there**there are things I have no name for there**there are things I have no *suspicions about**because I am unaware there are so many things right now that I cannot think of them all not this now***nor any now yet **to come now I am thinking about **all the things I don’t know about there are many things I do not know *the names of things***never held or beheld still***I am thinking about them I can think about all the unknowns in this very now in the collective abstract they make a massive thought I am thinking now about the massive thought which is a thing****which **is a thing I name this thought**about what I cannot think about**because I do not know**the things I do not know the names of the things I do not know this thought is a massive heavy fog of thought and now I have strayed now I have metaphoress’d from bare runes into weather bloom fog attenuates**light quickens upon *****bare thought***wind danced puts forth buds**leaves**flowers now a massive forest and I do not know the names **of trees or underbrush I do not know **what scurries**stalks **what**slithers**creeps **what flies here in the massive thought *of what I do not know *of what I do not know the names of |
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| oneofmurphysbiscuits | Nov 28 2011, 01:41 PM Post #2 |
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marmalade modernist
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i scribbled a piece of contingency/love thing today from yesterday , so this makes me smile, {{{{{sUZ}}}}}} |
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| suzannahhh | Nov 28 2011, 01:46 PM Post #3 |
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Forum junkie
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whew glad to see that smile {{{{{{{{{{{{{{{{{{{{{{{{{SHARON}}}}}}}}}}}}}}}}}}}}}}}}}}}} I thought maybe no one was saying anything because they thought it was awful certainly it sembles a poet off her usual playground. . . and since that's how it is that's what I'm going with one never knows in what places all those trails in the forest might come to a end |
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| oneofmurphysbiscuits | Nov 28 2011, 01:56 PM Post #4 |
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marmalade modernist
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i've had distractions and pain, Suz, else i'd have posted before, i might have suggested (some) changes, but it makes me smile because of what it points to as to our comittments and kinds of engagement |
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| Thomas Hounds | Nov 28 2011, 02:33 PM Post #5 |
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Apprentice Sith Lord
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I can't give this the attention it deserves this week. Perhaps I'll be able to get to it this weekend. |
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| suzannahhh | Nov 28 2011, 03:04 PM Post #6 |
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Forum junkie
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no problem Jake meanwhile I've been working on the next section and I'll probably put it up soon |
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| TonyH | Nov 28 2011, 03:13 PM Post #7 |
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Forum junkie
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the title of the thread meant I didn't look at this yesterday, thought it might be a huge work in progress that I did not have time to read. Read it now, fast, and it flowed, but need to let it sink in and reread slowly.
Edited by TonyH, Nov 28 2011, 03:13 PM.
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| suzannahhh | Nov 28 2011, 03:44 PM Post #8 |
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Forum junkie
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*LAUGHING* well it might be a huge work in progress! it wouldn't be my first or only at various times in my life I have been called the Queen of Unfinished Projects (I always counted my sons as 2) so it is no surprise that I have a number of literary unfinished projects I'll be happy to know what you and Jake think since this is not usual suzannish poetry |
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| Thomas Hounds | Nov 28 2011, 11:36 PM Post #9 |
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Apprentice Sith Lord
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Hmm. I love the first stanza and the last stanza. I feel like what falls in between those two excellent start and end pieces varies between good and superfluous. I'd suggest a careful look at cutting back at those middle stanzas, and letting even more pressure fall on the starting and ending stanzas which can handle it and even be strengthened by it. I'd say more, but I want to know where this is going first. It has the potential to turn into an Elliot-esque project. Reminds me of him in fact.
I think you need to pack more into the middle, I'm merely suggestion condensing as a method of doing so. But I want to see more so I can be of more intelligible help to the whole project. I got to this early because of unusually good time management on my part today and the heavy likelihood of snow tomorrow.
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| suzannahhh | Nov 29 2011, 03:43 AM Post #10 |
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Forum junkie
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thanks for your thoughts, Jake I've been rereading and rereading it as I continue writing not sure whether I'll remove anything or not depending on where it goes I think there is a certain drill of intensity the repetitions produce and I wouldn't want that not to be there Edited by suzannahhh, Nov 29 2011, 03:44 AM.
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| Thomas Hounds | Nov 29 2011, 01:36 PM Post #11 |
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Apprentice Sith Lord
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Even a little too much repitition can dull the sharpness of that intensity though. Which is what I meant. I want to see where this goes, and perhaps then I slap my hand down and say do this in particular. |
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| oneofmurphysbiscuits | Nov 29 2011, 03:25 PM Post #12 |
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marmalade modernist
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what? |
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| oneofmurphysbiscuits | Nov 29 2011, 03:27 PM Post #13 |
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marmalade modernist
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johnny get carly simon and be quick about it! |
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| Thomas Hounds | Nov 29 2011, 05:13 PM Post #14 |
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Apprentice Sith Lord
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What does Carly Simon have to do with anything? And that didn't quite come out right, what I wrote earlier, Suz. I meant, when I see more I can slap my hand down and say, "Okay, I think this works better and this and that don't quite work for me." That sort of thing. Right now any advice I give is a bit incomplete and not as helpful as I'd like to be. |
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| TonyH | Nov 30 2011, 05:27 AM Post #15 |
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Forum junkie
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I like it very much Suzannahhh. It has a feel of a meditation, I hesitate to say prayer, at times yet at others just a wonderful simplicity of a drifting and at other times I almost wondered if it could be read for children almost as a nursery rhyme. I also like the switch from the abstract to the more (still unknown) specific and the word metaphoress'd. I have sometimes wondered if I do not know more about nature almost deliberately so i can walk around experienvcing it without the weight of identifying it in certain ways, and this captures that (for me). On first reading its pared downess of language made me think of Beckett or Pinter, but that's not so much there on second reading, just very enjoyable. Good luck with more. |
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| suzannahhh | Nov 30 2011, 06:12 AM Post #16 |
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Forum junkie
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thank you so much Tony I think you've got at what I was trying to get at! you said: I have sometimes wondered if I do not know more about nature almost deliberately so i can walk around experienvcing it without the weight of identifying it in certain ways, as someone who has a heap of field guides and makes it a point to know what grows and roams it enhances my experiencing opf the wonder of how it is when I'm driving down a road I can call out greetings to things by their names trees and roadside plants hello [and good-bye] elm hello [and good-bye] meadow rue it always adds to my pleasure on a road trip |
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| TonyH | Nov 30 2011, 07:49 AM Post #17 |
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Forum junkie
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I only know a little and that's why I wondered if I had done it deliberately so I walk around without 'knowing' -- but I am trying to remedy my ignorance with field guides these days. |
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| suzannahhh | Nov 30 2011, 07:58 AM Post #18 |
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Forum junkie
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I've had a love affair with field guides since I was about 7 in growing weather I use them daily (since moving here to the Land Time Forgot the mushroom guides have received the most attention) I'll be entering part 2 separate from the up top beginning since these are tending to be longer currently writing on 3] Edited by suzannahhh, Nov 30 2011, 07:59 AM.
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| suzannahhh | Nov 30 2011, 08:05 AM Post #19 |
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2] not the now that was now **a new *it has no past *it has no future and yet there is a remainder of the now that was that particular now **of above ***and many others I write I as I am a thought***I am having my interior eye sees**a tapestry needle large eyed**it needles the I who views the scene of my thought enthusiasm fills my now with all these**ayes and in the multitude of emptys **are all the things ***I do not know *wedged and planted **flowed between the multitude of filleds this is all so***not me not accurate.**this is me now***almost naked **of primary enthusiasms this now is***here overcast **windless***without *****precipitation *a chill has slowed the molecules *the electons quantum*****leap***less often now***we warm bloodeds *within our closed systems *stoke*****our furnaces there***where you are in a different part of now your day’s temperament could be close to***like mine or different or totally unimaginable to me or it could be **two blue suns and three purple moons **glistering in a gluey green sky |
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| TonyH | Dec 3 2011, 04:28 AM Post #20 |
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Forum junkie
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Hi Suzannahhh, I'm still thinking about this one - it feels a bit knottier than the other, but of a piece of course - I've read it once and will digest and reread. I like the ending. Oh and I love the tapestry needle. |
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